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I got my start working in newspapers, to be precise, the Grayville Mercury Independent in Grayville, Illinois, a small town on the banks of the Wabash River. Family owned and operated for a few generations, it was edited by William Seil, a.k.a. “The Chief,” and his son Pat. Pat was a few years older than myself at the time, The Chief was in his seventies. I soon figured out that either of those two could have found fame if not fortune in any of the larger newspapers across the country, but a dedication to both family and community kept them rooted in Grayville. Pat lives and works there still, as editor and publisher of the Navigator.

From them I learned many things. The first was a strong work ethic. I made a hefty $2.25 an hour at the time, far below minimum wage, but comparatively speaking, if you figured it by the hour, I was about the highest paid employee in the office. Pat’s sister Donna was advertising manager, and she might have done better, though not by much. The paper was a labor of love, and they all put in long hours, far beyond what would be expected anywhere else. You did the job because it was a job that needed done, and people depended on you.

I went in on Wednesday afternoons, about the time the writing was done for the week. It was a weekly paper – there isn’t enough news in southern Illinois for a daily, I mean let’s be honest. About five, the Chief would go off to collect his dinner, and come back with a twelve pack, Strohs or something equally tasteful, and sit it on the steps of the office. If you wanted cold beer you drank fast, which was the second thing I learned there. Then we would set about working the long strips of type into something resembling a newspaper. Actually, it was the best weekly newspaper in the state of Illinois, several years running. Which is the third thing I learned. If you’re going to do something, even if only for a small readership, you make it the best you can.

We often worked long into the night, and as the beer took hold, and the conversation, the Chief would sit at his typewriter, plunking out the editorial for that week’s edition. Like any good newspaperman, he only wrote a fraction of what he knew, and only the truth. No matter how inconvenient, and no matter if it led to hardship towards the newspaper. I learned that printing the truth isn’t necessarily good for the bottom line of a newspaper, especially if it irritated the folks in the dizzying high places of rural county politics.

It was also there that I learned the power of a community. Twice in my tenure at the Mercury tragedy struck. The first was the death of a friend of the family, a young man killed in a tragic accident. I watched as people came in off the street to offer their condolences, and to offer a hand in putting out an edition which would be as painful to create as it would be to read. The second was after the death of the Chief himself. I watched the son write the obituary for his father, as his father had done for his own, and fought back my own tears as the office filled with people with no newspaper experience, wanting to do anything they could to help get the paper out that night. On countless occasions I experienced magic in that time-worn office, but never a magic as powerful as that.

But most important, I learned the value of, and learned to respect the truth. In the years I worked there, I can’t point to a single sentence that wasn’t well documented fact. And it’s probably been 25 years or more since I watched the Chief pecking out his editorials, and yet those memories are as vivid to me today as though they were yesterday. I still dream from time to time that we’re putting together that paper – the ghost of the man, and the ghosts of the tradition linger in the very fabric of my being.

Each Christmas however, the editorial was always the same. And now going on three decades later, on a Wednesday night when perhaps I’ve had a few too many from the steps, and I’m missing those that have left us and those that I’ve left, I pass this on for the Chief. It wasn’t something that he had written himself of course, but it was something he evidently knew to be true. And as anyone in Grayville, Illinois who was alive at the time knows, if it was printed in the Mercury Independent, it has to be true.

“DEAR EDITOR: I am 8 years old.
“Some of my little friends say there is no Santa Claus.
“Papa says, ‘If you see it in THE SUN it’s so.’
“Please tell me the truth; is there a Santa Claus?

“VIRGINIA O’HANLON.
“115 WEST NINETY-FIFTH STREET.”

VIRGINIA, your little friends are wrong. They have been affected by the skepticism of a skeptical age. They do not believe except [what] they see. They think that nothing can be which is not comprehensible by their little minds. All minds, Virginia, whether they be men’s or children’s, are little. In this great universe of ours man is a mere insect, an ant, in his intellect, as compared with the boundless world about him, as measured by the intelligence capable of grasping the whole of truth and knowledge.

Yes, VIRGINIA, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus. It would be as dreary as if there were no VIRGINIAS. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. We should have no enjoyment, except in sense and sight. The eternal light with which childhood fills the world would be extinguished.

Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that’s no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.

You may tear apart the baby’s rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah, VIRGINIA, in all this world there is nothing else real and abiding.

No Santa Claus! Thank God! he lives, and he lives forever. A thousand years from now, Virginia, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.

 <p>The Samuel Pickman House, 1681, Salem Massachusetts. Click here to view large or order prints

The Samuel Pickman House, 1681, Salem Massachusetts.

Click here to view large or order prints.

I was dusting the bookshelf around Halloween when it caught my eye. About eight years ago I carved a jack-o-lantern, which managed to spend the winter in the corner of the front porch, and in the process became mummified. Since then I’ve dutifully carried it around with me, and there, just below it, getting a little attention from the feather duster was Witchcraft at Salem, by Chadwick Hansen.

Chadwick is one of those names ideally suited for writing about matters of the occult. If he had been from the midwest, he’d most certainly have grown up as Chad, or had a very difficult childhood indeed. But here was someone who managed to reach adulthood with his Chadwick intact, and here was the book, which has sat unread on countless bookshelves of mine since I first brought it home, all those years ago.

The due date slip on the inside read September 13, 1978, which meant I checked it out from the high school library at the beginning of my senior year, and somehow managed to escape with it.

Now I’m no virgin to the history of Salem and the witch hunt. I’ve seen many films, documentaries, read many books on the subject, just not that particular book. So I pulled it out and left it sitting around for a few days, to see if it managed to draw me in.

Reading any book purporting to reveal the truth about an incident which took place 318 years ago, and that dealt with such issues as the supernatural, children and their strange behavior and of course, Satan himself, must be read with a grain of salt, or sulphur perhaps. And flipping through its pages, I was struck not by the author’s theories, but by wondering about the mystique of Salem itself.

Mystery clings to the name like a woolen cloak – black and impenetrable. It’s quite often the first reference we have of witchcraft, taught to us in elementary school. There is oppression, people wrongly tried and imprisoned, not to mention violent, public death. And of course, puritans and their strange hats with the buckles. What was up with that?

So finding myself living just three hours or so from Salem, and after a few weeks of turning over the book in my head, I decided to go have a look at the place myself. Why not peek beneath the cloak and see what was there?

* * * * *

It was after midnight when I packed the car and lit out – a winding route I had planned, with stops in Lexington and Concord, and a desire to be at Plymouth by sunrise. The remnant of a tropical storm was blowing in, and my little VW Beetle was blown all over the road as I drove along the coast of Long Island and Connecticut. Soon enough however, I was on the New England Thruway, and before long in darkness, something not frequently seen on Long Island.

The wind kicked up leaves from where they were scattered beside the highway, swirling them upwards until they took on the shapes of animals and people, rushing into the road before dissipating in a whirlwind or scattering as I burst through them. It was the imagination kicking into high gear, as I was headed back in time, in search of magic and history.

A visit to Plimoth Plantation (Plimoth being the old-world spelling) outside Plymouth, Massachusetts, is a good appetizer to whet your appetite for Salem. A restored 17th century Puritan village, it gives a feel for the roots of life in early Salem, as well as Salem Village. You frequently hear references to Salem Village in films and books about the witchcraft hysteria of 1692, and people tend to think the two places are the same. Which isn’t the case, and as it turns out, this played an important role in how events turned out.

Salem and Salem Village were starting to separate in 1692. Salem was growing as a center of trade due to its great harbor, and folks there were already feeling and acting metropolitan in a 17th century sort of way, whilst Salem Village, a bit inland and to the north, remained mainly agricultural, the people’s expressions a bit more dour. There was a schism on the religious front as well, with two clans competing for control of the pulpit and of the town of Salem Village.

Into this fractious mess came Samuel Parris to Salem Village, who took over as minister of the church in 1688. Parris was a former planter and by all accounts, strict, egotistical and a tad bit greedy. He brought with him his wife, Elizabeth, six year old daughter Betty, niece Abagail Williams and a slave, Tituba, who was purchased in Barbados. Educated in Harvard and perhaps used to an easier way of life in nearby Boston, he began to complain almost right away. Perhaps he wasn’t aware that he was settling into a hornet’s nest, but almost immediately some of the villagers were threatening to withhold paying taxes for his salary, as well as refusing to bring cordwood to heat the parsonage for the winter. Talk about a chilly reception, and one that Samuel didn’t take lightly. Not only did he see conspiracies, which might not have been paranoia as people were certainly out to get him, but he also began to see the hand of the devil at work in Salem Village.


The Puritan

During the winter of 1692, Betty, now ten years old, began exhibiting strange symptoms. It’s worth noting here that in Salem Village in 1692, when your daughter begins acting strangely you can’t just pop over to the doctor’s office to see a specialist. “Prithee Doc, I’d like you to take a look at my daughter. Well she’s behaving in a way that I’d call distinctly odd, you know, contortions, writhing on the ground, spouting gibberish. We’ve been eating a lot of moldy bread of late, not sure if it could be that or perhaps possessed by Satan. Could you have a look at her?”

Instead, you were in essence in the wilderness, just a handful of people nearby, with a doctor sorely lacking in formal training, and death always close at hand. In fact, only about 70 miles away, the Indian wars raged, and people were afraid. Scalping was not a pleasant way of dying. There’s no way of knowing what was happening with Betty – it could have been epilepsy, boredom, cabin fever, stress, guilt, delusions, psychosis, moldy bread or as many started to suspect, the effects of witchcraft on the young girl.

Cotton Mather had recently prosecuted a case of witchcraft in Boston and written the book Memorable Providences about the affair, and it was noticed that Betty was exhibiting many of the same symptoms. Soon three of Betty’s friends were showing the same odd tendencies, and the village doctor made the suggestion that witchcraft might be behind it. A neighbor, trying to be helpful, came up with a plan to have one of the minister’s slaves bake a rye cake with the urine of the afflicted victims and to feed it to a dog, which would then show who the witch was. This scheme backfired, though not it seems because dogs tend to shy away from urine-baked rye bread, but rather as it was seen as witchcraft to fight witchcraft, which was a puritan no-no. The number of afflicted girls rose to seven, they began to name names, including Tituba as the source and one of the darkest annals of American history had begun.

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The Witch House, Salem Massachusetts

The Witch House, Salem, Massachusetts.
Click here to view large or order prints.

You don’t get the sense of isolation in Salem town today that would have been prevalent to its Puritan forefathers and foremothers. Coming in on I-95 at a creeping pace with its unending stream of traffic, into the smaller villages and their cramped streets, I never even knew when I had arrived in Salem proper. It was only when I saw the Witch House which stands near my destination that I realized for certain I was in Salem, and I pulled into the driveway at the Salem Inn and shut off the motor.

The Salem Inn, Salem, Massachusetts

The Salem Inn,
Salem, Massachusetts
Click here to view large.

My interest in Salem began when I was a little boy, like a lot of people of my generation, from the television series Bewitched. Samantha, Darrin and Endora came to Salem for a few memorable episodes, which stuck with me always. And it seems that the same is true for Salem itself. Downtown one finds a bronze statue of Sam on her broomstick, and I counted two stores in short order which seemed to be cashing in on the Bewitched connection. I’ve been told that in the 1970s, Salem became like a poor man’s Disneyland version of a witchcraft theme park, which greatly ignored the historical facts and sought to capitalize on the more sensational aspects of witchery. Which many people were fine with. After all, the accused were from other villages for the most part, and in the end were found to have nothing to do with witchcraft anyway. What Salem became was a place of execution.

Over time, Salem developed a sense of taste, and with the help, or perhaps the insistence of a rapidly growing population of Wiccans, pagans and modern-day witches, it sought less to capitalize on the stereotype of old world witchcraft and more on new age magic, Wicca and Salem’s deep history. And there’s plenty of history, and hauntings in Salem, with or without witches. The hotel where Samantha Stevens stayed in Bewitched, the Hawthorne, is supposed to be home to its own ghost, and not just the haunted bed warmer featured in the show. In the end though, I went with the Salem Inn, which not only has a ghost of its own, but reasonable rates, fireplaces in the rooms, a 19th century ambiance and is walking distance to any place I might want to go.

The Roper Mansion, Salem, Massachusetts

The Roper Mansion, Salem, Massachusetts.
Click here to view large or order prints.

In fact, just around the corner from the Salem Inn, one finds the Ropes Mansion, dating from the 17th century, on Essex Street. It was originally the home of Judge Nathanial Ropes, a friend of several of our founding fathers until he chose the wrong side in the American Revolution. The house was stoned by an angry mob, which threatened to bring the whole place down and give the hapless judge a thorough boxing of the ears, until it became known that the Tory judge was already gasping out his final breaths inside. Abigail Ropes later burned to death in her bedroom there, screaming her lungs out, which neighbors report can still be heard on occasion. Other manifestations, more or less poltergeist-type occurrences, have been reported as well. And there is a photo of the good judge still lingering in his mansion, which can be seen in the book “New England’s Ghostly Haunts” by Robert Ellis Cahill.

Nathaniel Hawthorne, he of the Scarlet Letter and House of the Seven Gables fame, and no stranger to penning a creepy tale or two himself, relates a story based in the Salem Athenaeum Library, just across the street and a couple houses down from the Ropes Mansion. Hawthorne used to stop in at the library on a daily basis for a bit of reading, and though conversation was scarce, the regulars all knew each other and would typically at least greet one another. He had read about the death of one of the circle, a Reverend Harris, and Hawthorne was shocked to see the good Reverend in his usual place that afternoon, Hawthorne saw him there five days in a row, during which time the apparition spent his time staring holes into Hawthorne, who never bothered asking any of the others if they saw him, too.

The Salem Athenaeum

The Salem Athenaeum, Salem, Massachusetts.
Click here to view large or order prints.

The Salem Inn consists of three historical properties, and I was lodged in the main building, the Captain West House, once owned by a prominent Salem seaman. There is little mention of the ghost there, though it’s possible to get the room which is known to be most active. I didn’t get that room. I also didn’t get there in time to get a parking place on the street, so I had to park a block or so away in the hotel’s parking lot, behind the Curwen House. Which I didn’t mind a bit, as it was a nice night, breezy and cool, and the storm was promising to hold off for a few more hours.

As my stated intention of coming here was to take photos of Salem, and the following day promised to be a washout for that, I decided taking photos of Salem at night would not only be my best bet, but appropriate. By this point I had been up for most of the past thirty-six hours, so I retired to bedlam for a short nap. I went with the most inexpensive room in the inn, and found it nicer still than many I’ve stayed in for a much higher price. The only drawback is that the bathroom is not only not in the room, but through another door, into another hallway, and inexplicably, hotter than the fire of Hades itself. Still, it’s an old house, and I chalked it up as quaint, and was thankful I didn’t have to share it with anyone else.

As my head hit the pillow and I fell into that odd realm between being awake and being asleep, I found myself listening to a conversation between a man and a woman, debating what they were going to do that day. Now I’m no stranger to the effects of sleep deprivation, and I soon realized that the conversation wasn’t taking place outside of my head, though I’ll be damned if I could figure out why my mind was playing back this particular conversation between two people whom I didn’t seem to know or remember. My eyes opened and darted around the room, and I was reminded of a line from a Tom Waits song about hotels … you take on the dreams of the ones who have slept here. Not seeing a couple in 19th century garb in the room, and no longer hearing the conversation, I proceeded to nap.

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Reconstruction of the Salem Village Meetinghouse, Danvers, Massachusetts

Reconstruction of the Salem Village Meetinghouse,
The Rebecca Nurse Homestead,
Danvers, Massachusetts.
Click here to view large or order prints.

It’s possible the witch hunt around Salem might have ended before it began, if not for Tituba deciding that she was likely going to be made into a scapegoat and deciding to name names. According to others, her confession was urged along by a beating administered by the good Rev. Parris. Either way, she talked, and once she got going she proved to be an able storyteller. The other two women named by the girls were Sarah Good, a local beggar who never fit into Salem society, and Sarah Osborne, who was old, crabby, known to have sex with her indentured servant and most scandalous of all, not a church-goer. Both fit the stereotypical image of witches. The girls’ stories were so similar that either what they were describing was true – which was what the authorities believed, or they had worked out their stories together beforehand, which was perhaps more likely. When Tituba backed up their stories, and told her own about being accosted by a tall man from Boston, who sometimes appeared as a dog, sometimes a hog, and told her to sign his book and do his work, the officials in charge of the interrogations – Jonathan Corwin and John Hathorne, the great-great grandfather of Nathaniel Hawthorne – threw themselves into the proceedings with gusto. Hathorne, it should be noted, is one of the few who never repented of his actions during this time; such was his belief that what he was doing was God’s work. His grandson we might believe didn’t feel quite as certain, as he added a W to Hawthorne so that people might not know they were related.

With Tituba spilling her guts and beginning her long stint in jail (she escaped the gallows and was eventually sold and left Salem), there was now no denying that the devil was afoot in Salem Village. The girls widened their net of accusations, adding Martha Corey, Dorothy Good and Rebecca Nurse, all from Salem Village, and Rachel Clinton of nearby Ipswich. These accusations greatly troubled the village as they were well-known and respected, church-going women. The girls developed a new technique, where they appeared to be seeing and being attacked by the specters of the accused even in the room where the proceedings were taking place. “Look where Goodwife Cloyce sits on the beam suckling her yellow bird between her fingers,” one of the girls shouted out during a hearing, throwing the room into pandemonium. Even Dorothy Good’s four year old daughter was hauled in for being a witch, interrogated and seemingly implicated herself and her mother, then ended up spending eight months in jail, eventually coming out more or less (and considerably more by all accounts), insane.

During the proceedings, when John Proctor objected to his wife, Elizabeth, being accused, he also was accused and arrested. Martha Corey, had voiced skepticism of the girls’ charges, and found herself arrested and accused as well. Within a week, five more were taken into custody and hauled before the magistrates, and finally a few prisoners started getting the idea that if they confessed and named others, they might escape the gallows. The proceedings moved from the meetinghouse of Salem Village to Salem proper, raising the stakes, as the officiating judges now acted under the auspices of the governor, who named an official court to prosecute those languishing in jail. On May 10, Sarah Osborn, one of the first three accused, died in jail of more or less natural causes. By the time the court convened, there were 62 people imprisoned and awaiting trial. Then came June and total madness.

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The House of the Seven Gables, Salem, Massachusetts

The House of the Seven Gables, Salem, Massachusetts.
Click here to view large or order prints.

Salem is an amazing town at night. For those wanting nightlife, there seems to be a good share of that, even in November when the zaniness that is Halloween in Salem is packed away for another year. Fine dining abounds: Salem appears to have kicked off its puritanical roots and spirits flow freely into glasses all over town. But for me, the real joy was stealing through the shadows, taking photos of Salem and looking at the architecture of four centuries which has borne witness to the history of this unique little town.

Concrete gives way to cobblestones and back again. Across the street from the Old Burying Ground is a massive gas station/convenience store. Salem is no time capsule. The past and present draw breaths from the same air.

I tagged along with a walking ghost tour for a bit, then wandered away, the whole time, the streets and sidewalks of Salem carrying me on, towards the harbor. Once there, it was easy enough to follow the signs to perhaps the most famous landmark in Salem – the House of the Seven Gables.

I confess to never reading the book until I began planning my trip (okay, I downloaded it from Audible.com and listened to it). The story is complete fiction from the imagination of Nathaniel Hawthorne, though the house was in existence during his day, despite being greatly different from the way you see it now. Known officially as the Turner House or Turner-Ingersoll Mansion, the house was built in 1668 for Captain John Turner. By the end of the 17th century, it had acquired the gables for which it is famous. But by the time of Hawthorne, in the 19th century, the house had been modernized, several of the gables removed, and he based the appearance of the house in the book to stories told of its history by his cousin, Sarah Ingersoll, when he used to visit the house as a child.

Facing Salem Harbor, the sounds of chains clinking against the masts of boats in the breeze, the house almost fades into the darkness of the nighttime sky. I looked out over the garden where Phoebe and Holgrave held their talks, and then wandered to the street and down the sidewalk. There you find the window of the store run by Hepzibah, which of course isn’t original to the house, but a concession to the tourists. There the silence was almost complete, and in the dark one can almost get the feel of Salem in 1692. If you close your eyes you can almost smell the heat coming off the wood that June, when the world seemed to be turning upside down.

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The Rebecca Nurse Homestead, Salem, Massachusetts.

The Rebecca Nurse Homestead,
Salem, Massachusetts.
Click here to view large or order prints.

Once the trials got underway, things moved quickly. It wasn’t uncommon to be interrogated and tried in the same day. You didn’t have the right to an attorney, though you did have the right to ask questions of your accusers. Of course that might just get you in deeper, as your accusers might very well fall into drooling and fits just at the sight of you, and the most unfortunate were the ones who professed their innocence.

Though on the surface there seemed to be due process, the presumption was one of guilt, which allowed the magistrates and judges to dispense of many of the legal niceties, which as a testament to puritanical efficiency sped things up quite a bit. To have a person arrested, all you needed to do was tell one of the magistrates that the person was a witch. The magistrates then signed a warrant for your arrest, and you were hauled in before them. They listened to the testimony against you, determined in all likelihood that you were indeed a witch, and had you sent to jail to await trial and conviction. And to add insult to injury, you had to pay for the privilege of being held in subhuman conditions. Even the rats ate better than the accused.

In jail they might try to get a confession against you, and carry out physical examinations, looking for the tell-tale signs of guilt. One was searching your body for the witches’ teat, which could be something as simple as a mole or freckle, thought to be a source of nourishment for the devil. Torture, as carried out in Europe, wasn’t practiced as such in Salem, with the exception of pricking the body in search of these witches’ teats, which no doubt could be quite painful. Though it could accurately be said that for a puritan woman to be exposed before her jailers and have her body searched thoroughly, would be a form of torture. Instead, the torture was more of coercion, intimidating the accused to confess and name others, that being their only hope of escaping the hangman’s noose.

Your case then moved to the grand jury, and if they decided you were a witch, you moved to the official Court of Oyer and Terminer, where you were tried, convicted by a jury of your peers, death warrant signed and taken away for hanging. Notice I didn’t say might be convicted? Twenty-six prisoners appeared before the court, and all were found guilty. The luckier ones languished in jail until the madness had passed, although five people died in captivity awaiting trial. Of those convicted, nineteen found the noose about their neck.

Think about it for a moment. You’re a god-fearing woman of puritan upbringing, who has never run afoul of the law, never done anything to be ashamed of. And suddenly you are accused of witchcraft, tried, convicted and facing hanging, all on the testimony of a handful of children who claim to have seen you flying around the courtroom while you stood on in helpless amazement. People whom you’ve considered life-long friends are looking at you with fear and hatred in their eyes, and you realize in horror that in a few days they will be standing there watching as you are publicly hauled up gallows hill in a rickety cart, noose placed around your neck, and cheering as your feet are kicked out from under you and you fall to your death. With friends like that, one doesn’t need Satan getting involved to demonstrate the presence of evil.

On June 10, 1692, Bridget Bishop was the first to be hung, on the lower slopes of Gallows Hill. Bridget Bishop had been married twice before taking on her third husband, when the witch craze began. She was known to have a fiery temper and contentious working relationship with her husbands, was mistress of two taverns and thought to be a bit of a floozy in the manner of her dress. At times, it was whispered, she wore a bit of colored cloth even. So it came as no surprise to the people of Salem Village that she would be suckling the devil in her spare moments.

Indictments were read against Sarah Good, Elizabeth Howe, Susannah Martin, Elizabeth Procter, John Procter, Martha Carrier, Sarah Wildes, and Dorcas Hoar. Of those, Good, Howe, Martin and Sarah Wildes, along with Rebecca Nurse, were tried, found guilty and then executed on July 19, 1692.

Martha Carrier, George Jacobs Sr., George Burroughs, John Willard, and John Procter were carted up Gallows Hill on August 19, 1692. George Burroughs recited the Lord’s Prayer without missing a word – a feat supposedly impossible for a witch, and for a moment it appeared that he might escape the noose. Unfortunately, the infamous Cotton Mathers, who was in attendance, reminded the gathered crowd that Burroughs had been found guilty, and that was that. Mathers appeared to give warning early on, stating that people should be wary of conviction by spectral evidence alone. Evidently though, he decided it was good enough, at least for poor Burroughs. Mathers went on to write Wonders of the Invisible World, based on the records of the trials.

People often wonder how the mania spread so quickly, though the answers are pretty simple. The first to be accused were those who fit the bill, unmarried women who weren’t popular in the village, and of course Tituba who was from the Caribbean, already known to be the home of many strange and mystical practices. Then it became those whom the accusers had it out for – those who cast doubt on the sincerity of the girls, for instance. And then there were those who doubted the existence of witchcraft, who eventually were drug in as well. Once accused, your only way out was to name names, so you had to come up with a list of others to accuse. And if you’re going to make an accusation that might send someone to the gallows, it makes sense that you’ll choose someone you have a grudge against, or at least has already been named.

And of course there was pure greed. Many of those accused had valuable property, and a conviction and execution meant that their land and belongings became property of the state, and in some cases, that very property had recently been contested by the accusers against the accused. Puritan families were known to be quite fertile, and each generation produced a healthy number of children. To provide for those children after your death, you had to leave enough land so that each might scrape out a living from its crops. Which meant that your holdings had to grow with each generation, often encroaching upon your neighbor’s property, while your neighbor was quite likely trying to do the same thing. All this led to friction between neighbors, and all it took to bring a neighbor’s property onto the market was to make an accusation of witchcraft against them, and let the judicial system take its course.

The majority of the accused were unmarried women or widows, and at the time, if they had no heir on their death, their property reverted to the previous owner, or to the Massachusetts colony, whereupon it went for sale.

Giles Corey, knowing that if he plead guilty he would lose his lands, that if he plead not guilty he would be hung and lose his lands, and being eighty years old and wanting to see his children get his land at his death, refused to enter a plea. The punishment for refusing to plea was peine forte et dure, where the person has a piece of wood placed over their naked body – in Giles’ case a door – and then rocks piled on top until they either entered a plea or died. As the end neared, his tongue began to protrude from his mouth, at which point the Sheriff forced it back in with the tip of his cane. Giles’ wife Martha had questioned the accusations of the girls, and found herself accused and arrested. When Giles protested, he found himself accused. After several hours of what can only be called torture under an ever-increasing pile of rocks, Giles died, three days before his wife was hanged. His death played a large part in turning public opinion against the trials and executions, and finally, reason began to take hold again.

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The Hawthorne Hotel, Salem, Massachusetts

The Hawthorne Hotel,
Salem, Massachusetts.
Click here to view large or order prints.

One thing I’ve noticed about wandering historical towns … at night it is easier to lose the 21st century. Granted, old fashioned street lamps help with that, as does having areas shut off from traffic. But the way the darkness shrouds things like power lines, trash, cars – the way that the corners and crevices soak up the night, it’s much easier to be transported back. And Salem works this way. For one interested in the history of American architecture, Salem is a dream come true, with almost four hundred years of styles on display. One could walk the streets seemingly forever, and I found myself still taking Salem photos- approaching midnight – the witching hour and I’d forgotten to eat.

When it comes to dining out, I’m a reasonably cheap date. I had it in my head that the ideal dinner in a New England seaport, or at least for one on a budget like myself, would be fish and chips. And I found a pub just off Washington Square called the Old Spot which looked to be the place for that. It would have been, it being fashioned after an English pub, if I hadn’t been too late for dinner and was forced to order from the late-night menu. I went with the deluxe cheeseburger, which didn’t sound too exciting. Okay, so I’m searching for the perfect bacon cheeseburger, and something called Deluxe Cheeseburger sounded way too generic. But it was actually quite good – not approaching the culinary heights of the grass-fed beef cheeseburger and fries fried in duck fat at the Annabel Lee Tavern in Baltimore, but quite tasty all the same. At the moment I was starving, so it was beyond that even.
The Bewitched Statue, Salem, Massachusetts

The Bewitched Statue, Salem, Massachusetts.
Click here to view large or order prints.

Leaving the Old Spot I made a valuable discovery, especially considering my circuitous route getting there. Essex Street, for a good chunk of the downtown historical district, is a pedestrian mall, with a few short but highly interesting blocks of shops. Many of the more popular shops and attractions are along or just off Essex, so it makes a great artery for exploring the town. In no time I found myself across the street from Samantha Stevens and the Bewitched statue again, just down from the hotel.

There was quite a bit of controversy over the statue when it was installed in 2005. When Elizabeth Montgomery, cast and crew rolled into town to film several episodes, October 7, 1970 was declared Bewitched Day. Paid for and installed by the TV network “TV Land,” the statue is seen as insensitive by some, and good fun by others. Standing almost eight feet tall and cast of bronze, it does draw its share of tourists, snapping photos of each other in front of it.

I can see the reasons for being against the statue. But then again, as a little boy I dreamt of growing up to become Darrin Stevens, living the life of an advertising executive with a witch for a wife. And I did manage to become an art director, and from the show developed a strong interest in what happened in Salem, as well as a great empathy for both the victims, and the accused as well. Some say all publicity is good publicity, and I don’t buy that for a minute. But tacky as it was, Bewitched, at least in my case, has had a positive influence on the way I’ve perceived Salem for all these years. It sparked the imagination, and that I believe is, always a good thing. Still I had to smile at what was one of my earliest inspirations and role models for what domestic life must be like as an adult. No wonder so many of my generation turned out weird.

And so back to the hotel after sitting outside the Witch House for a bit. It strikes me as ironic, really. Despite the histrionic name of the house, no witches ever lived there. In fact, it was the home of Judge Jonathan Corwin, who presided over the Court of Oyer and Terminer, which during his tenure sent 19 people to the gallows for witchcraft, all of whom had pleaded innocent. That the house bears such a name today must have the ashes of Judge Corwin swirling over in his grave.

Finally I made my way to my room, to light the Duraflame log in the fireplace and curl up with a book on New England ghosts until sleep overtook me.

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In September of 1692, eight more convicted witches were hung on Gallows Hill in Salem. Then in January of 1693, something unusual happened. All five of the first cases of the year were found not guilty. Grand juries were still in session, bringing in indictments in some cases, but of the next sixteen cases brought to trial, only three were found guilty. Though sentenced to death, the governor of Massachusetts ordered pardons for them. In February, five more people were tried, and all were found not guilty. From that point on, the few cases remaining all were acquitted, and the nightmare was at an end.

There are many causes put forward for why the trials and executions finally stopped. The horrific deaths of well-liked citizens is one, for how easy could it be to watch people you’ve known all your life suffer torture and death whilst declaring their innocence, and nothing but the word of a handful of young girls to point to their guilt?

Also, the well-educated in Boston, just a short distance away, found the whole affair outrageous, and began to pressure the politicians, Governor Phips especially, to put an end to it. And then the wife of the governor was accused herself, which helped lead Phips to make the ruling that spectral evidence no longer be allowed. Without that, the cases crumbled into dust.

By 1695 the public backlash had begun against the trials and executions. There was a fast day held in 1696, at which several of those involved in the trials publicly asked for forgiveness. Even Cotton Mathers’ father came out against the proceedings that his son had helped to fuel. In Salem Village, one of the victims, a pious woman who had been excommunicated before her hanging, had the excommunication reversed, though of course the hanging remained intact. In 1706, Anne Putnam, one of the accusers publicly asked for forgiveness. She claimed that she had been deluded by Satan into bearing false witness against innocent people. By 1711, the General Court of Massachusetts passed a bill throwing out the convictions against many of those found guilty, and authorized compensation for the families. But it wasn’t till over 200 years later, in 1957 that the last six people to have been found guilty were pronounced innocent by the General Court.

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Crow Haven Corner, Salem, Massachusetts

Crow Haven Corner, Salem, Massachusetts.
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It’s safe to say that in 1692, there were no witches in Salem, Massachusetts. Or at least not the kind that the witch hunts were trying to root out. The same can’t be said for today. It’s estimated that there are between 500 and 1,000 practicing witches and pagans living in there, and you’d be hard pressed to find a more vibrant Wiccan community anywhere. Halloween in Salem is a madhouse, part solemn ritual, part bacchanal celebration, and perhaps more than a part or two kitsch.

The heart of the modern witchcraft tradition in Salem could be said to be Laurie Cabot, known as the Official Witch of Salem by decree of the governor. A noted author, speaker and frequently appearing on television, she started not only a school for witchcraft, but two organizations dedicated to dispelling myths and offering protection to witches.

Born in Oklahoma in 1933, she came east as a teenager, settling around Boston. After seeing the Bewitched episodes featuring Salem, she opened the first witch shop there, Crow Haven Corner, as tourism piqued by interest in the show began to take off. The store was successful, though she eventually sold it and started a new one on Pickering Wharf – The Cat, The Crow, and The Crown. Today, an untold number of the witches of Salem owe their training and inspiration to Ms. Cabot.

And so with Saturday came the rain. Not just a drizzle, but at times a downpour, at times a torrent, and I was thankful I had gotten most of my Salem photos the night before. I nipped into the dining room of the Salem Inn for a continental breakfast which was actually worth waking up for, and then back to the room to pack. I hesitated and hated to leave, but there were no vacancies for the night, and I couldn’t bear the thought of staying in Salem without my fireplace, so I headed to the car, getting soaked in the process. I sat for a bit, listening to the sound of the rain on the roof, wondering what to do next. I knew there were still a few more Salem photos to get, I was already wet, so what the hell, back out I went, and lurched down Essex Street, now much colder and inhospitable than the night before, feeling more like the Salem of The House of Seven Gables, with its storm from the East which goes on in the book for days.

The rain lightened for a few minutes and I got a few more of the photos I needed, then set about picking up something for my little boy, as well as something tacky for myself. I had hopes of getting down to The Cat, The Crow and the Crown, but with that thought came the rain again, and I found myself rethinking my plan, considered heading back to the car and out of Salem, when I noticed I was almost directly in front of Crow Haven Corner. I had checked out the website prior to my trip and knew there was still a connection to Laurie Cabot, if only in the woman who owns it claiming Ms. Cabot as her inspiration, so I ducked inside, happy to be out of the rain for the moment.

I wandered around the shop, dripping all over the place and I have to admit, found the place pretty impressive. True, there was the kitsch, but also some quality stuff in there, not just for the practice of witchcraft, but gifts and home decor as well. Had not poverty been weighing heavily upon me, I could have been weighed down with parcels upon leaving.
Miss Molly and Miss Lorelei from Crow Haven Corner

Miss Lorelei, Miss Molly and Chico, Crow Haven Corner, Salem, Massachusetts. Click here to view large.

As it was I fell into conversation with Miss Molly, witch in training, who specializes in Tarot readings, combining psychic ability and mediumship. She asked what I was doing in Salem, I explained the website and the articles, which led to a conversation about our own personal experiences with ghosts – we both saw them as children, both of our grandmothers saw ghosts once, both grandmothers died at the same age, and it never even struck me that perhaps her psychic abilities were more keen then I gave her credit for, perhaps she’s just really good at the whole business of selling psychic services, or perhaps she’s my spiritual twin.

She then introduced me to the owner, Miss Lorelei, the High Priestess at the store, as well as the pooch Chico, who rules the roost and is a favorite of Ms. Cabot, having attended most of her classes with Miss Lorelei. Together, Miss Molly and Miss Lorelei explained to me a bit about the Wiccan path they’ve chosen, which, contrary to the dark reputation of witchcraft, is really quite innocent and oddly pure. It echoed something I had read on Laurie Cabot’s MySpace page – after all, what self respecting witch doesn’t have a MySpace page? “Witchcraft is a holistic path centered on a working philosophy, it teaches us that we are responsible for ourselves first, then we can help others who might stumble on this day and return the favor by preventing us from stumbling the next. It is an endless cycle of care and assistance,” she wrote, which is as good an explanation for what witchcraft is in Salem that I’ve yet heard.

And of course this was echoed by the two ladies in Crow Haven Corner, who told me of the Witches’ Rede, which comes down to if it does no harm, do as you will. This is tempered with the three-fold law, that whatever you do, good or ill, comes back to you three times over. So be good for goodness’ sakes.

After they helped me pick out something sufficiently creepy for my little boy, I was on my way, splashing up Essex Street and back to my car. I drove north to Danvers, which used to be known as Salem Village, having finally broken away from the town of Salem. Parking my car at the church, just across the road from where the original once stood, which bore witness to the earliest hearings of the unfortunate, I started down the road. Passing Ingersoll’s Tavern or Ordinary, where the original hearings were supposed to be held, until a crowd too large for the space showed up, and which according to legend was the place where many of the first victims faced their examinations, I continue on until I came upon an old cart path which led between two modern houses into a small wooded area. There, amongst the rain-soaked leaves, were the foundations of the parsonage of Salem Village, the house where the first girls became afflicted, and where folklore has it that Tituba taught them the secrets of divination. I went down the steps into what I suppose would have been the basement, and noticed there on the ground, three carnations – an offering or memorial someone left, though for whom I’m not sure. I’ve stood in many places which might be called creepy, many places which might still contain a residual power or memory, but seldom have I stood in a place which left me with such a sense of sadness and history. Something powerful and incredible and terribly black once sprung from the spot on which I stood, and I believe you can feel it in the very foundations of that house.
Foundations of the Salem Village Parsonage, Danvers, Massachusetts

Foundations of the Salem Village Parsonage,
Danvers, Massachusettsts.
Click here to view large.

I pondered the three-fold law, and wondered if it was true, or just a way of keeping those who sought power in check. Witchcraft and Wicca are nature religions, and nature tends to be neutral when it comes to good and evil. Is the cat that plays with the mouse before tearing it to pieces evil in inflicting its torture? Or is it just exercising its nature?

At any rate, evil seems to be in short supply in Salem these days. That couldn’t be said in 1692, when evil certainly walked the streets of Salem and Salem Village. It didn’t fly through the air on broomsticks as was supposed at the time. Rather, it lay in the hearts of men and women who were willing to believe the worst of people on the basis of hearsay and gossip. It manifested itself in the search for power and wealth, in the deaths and confiscation of lands belonging to the hapless victims of their persecution. It grew in hearts made cold by intolerance, and in an inability to accept those who were different from the rest of their society.

It would be easy enough, though all too general to be wholly true, to say that the witch hunts and persecutions were made possible by men’s desire for power. I’m sure in the halls of government and other places where people of that ilk still ply their trade, that remains true today. In Salem however, that power is tempered by those who seek a different kind of power, which seeks to harm no one. The witches of Salem today might not fly on broomsticks, nor are they in league with the devil. But they, and the town they call home, remain bewitching still.

Lyndhurst, Tarrytown, New York. Click to view large or order prints

An excerpt from Return to Sleepy Hollow. Click here to read the full essay.

Writing in an introduction from a reprinting of the story in 1996, Henry Steiner, Village Historian of Sleepy Hollow states that “At the close of his narrative, Irving anticipates a time when change will have so completely altered Sleepy Hollow that cramped historians will doubt that it once existed at all.” Irving need not have worried. While it’s sometimes hard to see it beneath the asphalt, the signs and the traffic, the threads of history still bubble up from time to time to the surface.

“In the bosom of one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail and implored the protection of St. Nicholas when they crossed, there lies a small market town or rural port, which by some is called Greensburgh, but which is more generally and properly known by the name of Tarry Town. Not far from this village, perhaps about two miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail or tapping of a woodpecker is almost the only sound that ever breaks in upon the uniform tranquillity.”

I mention this peaceful spot with all possible laud, for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New York, that population, manners, and customs remain fixed, while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water, which border a rapid stream, where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbor, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom.”

It is remarkable that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air, and begin to grow imaginative, to dream dreams, and see apparitions.

From the Legend of Sleepy Hollow,” by Washington Irving

The Old Dutch Church, Sleepy Hollow, New York. Click to view large or order prints

The great gathering place of Sleepy Hollow, in those days, was the church. It stood outside of the Hollow, near the great highway; on a green bank, shaded by trees, with the Pocantico sweeping round it, and emptying itself into a spacious mill-pond. At that time, the Sleepy Hollow church was the only place of worship for a wide neighborhood. It was a venerable edifice, partly of stone and partly of brick, the latter having been brought from Holland, in the early days of the province, before the arts in the New Netherlands could aspire to such a fabrication. On a stone above the porch, were inscribed the names of the founders, Frederick Filipsen, a mighty patroon of the olden time, who reigned over a wide extent of this neighborhood, and held his seat of power at Yonkers; and his wife, Katrina Van Courtlandt, of the no less potent line of the Van Courtlandts of Croton, who lorded it over a great part of the Highlands.”

The sequestered situation of this church seems always to have made it a favorite haunt of troubled spirits. It stands on a knoll, surrounded by locust-trees and lofty elms, from among which its decent, whitewashed walls shine modestly forth, like Christian purity beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson. To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees.

From the Legend of Sleepy Hollow,” by Washington Irving

The schoolmaster is generally a man of some importance in the female circle of a rural neighborhood; being considered a kind of idle, gentlemanlike personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson. Our man of letters, therefore, was peculiarly happy in the smiles of all the country damsels. How he would figure among them in the churchyard, between services on Sundays; gathering grapes for them from the wild vines that overran the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; or sauntering, with a whole bevy of them, along the banks of the adjacent millpond; while the more bashful country bumpkins hung sheepishly back, envying his superior elegance and address.

It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover bordering the little brook that whimpered by his schoolhouse, and there con over old Mather’s direful tales, Cotton Mather’s “History of New England Witchcraft, until the gathering dusk of evening made the printed page a mere mist before his eyes. Then, as he wended his way by swamp and stream and awful woodland, to the farmhouse where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination,–the moan of the whip-poor-will from the hillside, the boding cry of the tree toad, that harbinger of storm, the dreary hooting of the screech owl, or the sudden rustling in the thicket of birds frightened from their roost.

The neighborhood is rich in legendary treasures of the kind. Local tales and superstitions thrive best in these sheltered, long-settled retreats; but are trampled under foot by the shifting throng that forms the population of most of our country places. Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap and turn themselves in their graves, before their surviving friends have travelled away from the neighborhood; so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.

The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Van Tassel’s, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major Andre was taken, and which stood in the neighborhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favorite spectre of Sleepy Hollow, the Headless Horseman, who had been heard several times of late, patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard.


From the Legend of Sleepy Hollow,” by Washington Irving

Raven’s Rock, Sleepy Hollow, New York. Click to view large or order prints

Tarrytown and Sleepy Hollow it is true, is steeped in ghost stories and fantastic tales. One such legend is of the white lady of Raven’s Rock. I spent a long afternoon trying to navigate the back trails of Rockefeller Preserve in search of this landmark, to get a shot for Jonathan Kruck’s forthcoming book on the legends of Sleepy Hollow and environs, and in doing so, found out how frightening Ichabod’s nightly walks must have been. The forest is thick, the ground hilly and even in the twentieth century, there is a fair amount of wildlife scampering about.

The legend takes many forms, but the one that sticks with me is of a woman, engaged to be married to a local boy, who was out on her way to meet the young fellow. The gentleman was accosted by British soldiers, one of whom secretly wanted to enjoy the affections of the young lady. For one reason or another, it became known that the young man was on his way to meet her, and he was dispatched from this earth by the jealous redcoat. His killer and the other soldiers went searching for the young lady, found her and informed her of her young lover’s fate. She fled from the soldiers and deeper into the forest. Meanwhile, night was coming on, and with it a raging snow storm. Eventually she escaped, but found herself far from home, and according to legend, dressed only in a white dress. Seeking shelter she descended the slopes of Kykuit hill, till she found herself at Raven Rock, a rock formation which overlooks the Sawmill River below. Huddling against the rocks, she eventually died of exposure. It is said that on snowy nights, she can still be seen wandering the slopes of the hillside or atop Raven Rock, calling out for her young lover.

On a whim I decided to take the biker’s and jogging trail which skirts the Sawmill River. After a bit of a walk, I realized that Raven’s Rock must be somewhere above me. Now I love the past and antiquities in general, but I’m not too ashamed to admit that with the help of the iPhone’s GPS and a photocopied map and the written account of the arrest and transportation of the British Spy, Major Andre, I soon realized that I was no more than twenty or so yards below Raven’s Rock. A short climb up the hills, a few slices to the legs from briars and a really impressive case of poison ivy later, I found myself sitting beside the brook at Raven’s Rock, no doubt very close to where the young lady of legend had perished.

There is a magic to finding a place of legend, seemingly long lost. I sat in the silence for a long time, thinking of the legend, and wondering how a spot which was known to every resident of the vicinity a little over 200 years ago, had managed to get itself lost, especially when scores of bikers and joggers pass each day, along with probably tens of thousands of cars. Probably because in this day and age, people forget to look up.

“The dominant spirit that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback, without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the Revolutionary War, and who is ever and anon seen by the country folk hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church at no great distance. Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege that the body of the trooper having been buried in the churchyard, the ghost rides forth to the scene of battle in nightly quest of his head, and that the rushing speed with which he sometimes passes along the Hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the churchyard before daybreak.”

Bridge at Sleepy Hollow Cemetery. Click to view large or order prints

Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. Such was one of the favorite haunts of the Headless Horseman, and the place where he was most frequently encountered. The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the Horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the Horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the tree-tops with a clap of thunder.

This story was immediately matched by a thrice marvellous adventure of Brom Bones, who made light of the Galloping Hessian as an arrant jockey. He affirmed that on returning one night from the neighboring village of Sing Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.

All these tales, told in that drowsy undertone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sank deep in the mind of Ichabod. He repaid them in kind with large extracts from his invaluable author, Cotton Mather, and added many marvellous events that had taken place in his native State of Connecticut, and fearful sights which he had seen in his nightly walks about Sleepy Hollow.

It was the very witching time of night that Ichabod, heavy-hearted and crestfallen, pursued his travels homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was as dismal as himself. Far below him the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land. In the dead hush of midnight, he could even hear the barking of the watchdog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man.

Site of the capture and memorial to Major Andre, Tarrytown, New York. Click to view large or order prints

All the stories of ghosts and goblins that he had heard in the afternoon now came crowding upon his recollection. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal. He was, moreover, approaching the very place where many of the scenes of the ghost stories had been laid. In the centre of the road stood an enormous tulip-tree, which towered like a giant above all the other trees of the neighborhood, and formed a kind of landmark. Its limbs were gnarled and fantastic, large enough to form trunks for ordinary trees, twisting down almost to the earth, and rising again into the air. It was connected with the tragical story of the unfortunate Andre, who had been taken prisoner hard by; and was universally known by the name of Major Andre’s tree. The common people regarded it with a mixture of respect and superstition, partly out of sympathy for the fate of its ill- starred namesake, and partly from the tales of strange sights, and doleful lamentations, told concerning it.

As Ichabod approached this fearful tree, he began to whistle; he thought his whistle was answered; it was but a blast sweeping sharply through the dry branches. As he approached a little nearer, he thought he saw something white, hanging in the midst of the tree: he paused and ceased whistling but, on looking more narrowly, perceived that it was a place where the tree had been scathed by lightning, and the white wood laid bare. Suddenly he heard a groan–his teeth chattered, and his knees smote against the saddle: it was but the rubbing of one huge bough upon another, as they were swayed about by the breeze. He passed the tree in safety, but new perils lay before him.

Site of Wiley’s Swamp, Tarrytown, New York. Click to view large or order prints

About two hundred yards from the tree, a small brook crossed the road, and ran into a marshy and thickly-wooded glen, known by the name of Wiley’s Swamp. A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grape-vines, threw a cavernous gloom over it. To pass this bridge was the severest trial. It was at this identical spot that the unfortunate Andre was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the schoolboy who has to pass it alone after dark.

As he approached the stream, his heart began to thump; he summoned up, however, all his resolution, gave his horse half a score of kicks in the ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal made a lateral movement, and ran broadside against the fence. Ichabod, whose fears increased with the delay, jerked the reins on the other side, and kicked lustily with the contrary foot: it was all in vain; his steed started, it is true, but it was only to plunge to the opposite side of the road into a thicket of brambles and alder bushes. The schoolmaster now bestowed both whip and heel upon the starveling ribs of old Gunpowder, who dashed forward, snuffling and snorting, but came to a stand just by the bridge, with a suddenness that had nearly sent his rider sprawling over his head. Just at this moment a plashy tramp by the side of the bridge caught the sensitive ear of Ichabod. In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.

The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents, “Who are you?” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and, shutting his eyes, broke forth with involuntary fervor into a psalm tune. Just then the shadowy object of alarm put itself in motion, and with a scramble and a bound stood at once in the middle of the road. Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.

Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the Galloping Hessian, now quickened his steed in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind,–the other did the same. His heart began to sink within him; he endeavored to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave. There was something in the moody and dogged silence of this pertinacious companion that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless!–but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle! His terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping by a sudden movement to give his companion the slip; but the spectre started full jump with him. Away, then, they dashed through thick and thin; stones flying and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lank body away over his horse’s head, in the eagerness of his flight.

Gristmill at Philipsburg Manor, the entrance to Sleepy Hollow, New York. Click to view large or order prints

They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong downhill to the left. This road leads through a sandy hollow shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story; and just beyond swells the green knoll on which stands the whitewashed church.

As yet the panic of the steed had given his unskilful rider an apparent advantage in the chase, but just as he had got half way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavored to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper’s wrath passed across his mind,–for it was his Sunday saddle; but this was no time for petty fears; the goblin was hard on his haunches; and (unskilful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone, with a violence that he verily feared would cleave him asunder.

The debris from the original bridge at Sleepy Hollow, New York. Click to view large or order prints

An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’s ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.” Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash,–he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind.

From The Legend of Sleepy Hollow, by Washington Irving

Sunnyside, the home of Washington Irving, and the fictional home of Baltus and Katrina Van Tassel, Irvington, New York. Click to view large or order prints

Today the route of Ichabod Crane from the Van Tassel’s farm is pretty much lost, though it’s a safe bet that much of it occurred along what is now Route 9. Even the location of the famous bridge is now changed, further downstream than where it once crossed the Pocantico River. And yet enough of it remains to get a sense of distance, and when the mood is right, an oppressive sense that one is being followed. Though of course that mood is most likely to be felt more from an internal longing than outside influences. And of course, the tale is fiction – or is it? Either way, to get a feel of old Sleepy Hollow one should keep to the side roads, or dispense of roads altogether and take to the trails. Sleepy Hollow today can best be felt in the depth of the forest, when the path has grown confusing. It can also be felt at Philipsburg Manor and its living history, or at the quiet repose of Irving’s home Sunnyside. And of course, it’s easy to feel in the shadow of the Old Dutch Church, or the silence of the Old Dutch Burying Ground, or the depths of Sleepy Hollow Cemetery at twilight.

Or perhaps it’s not necessary to travel to Sleepy Hollow at all to find it. You can find it anywhere, on a lonely country lane as the fall night air bites lightly at your skin, when the breeze blows with a hint of winter, and the sounds of the night begin to close in and form shapes around you. Sleepy Hollow is a place that stirs the imagination, and perhaps it was from the mind of an antiquarian by the name of Irving, that it came to be. And a place which lives in the imagination, can never pass away.

“I have thus endeavored to give an idea of Sleepy Hollow and its church, as I recollect them to have been in the days of my boyhood. It was in my stripling days, when a few years had passed over my head, that I revisited them, in company with the venerable Diedrich. I shall never forget the antiquarian reverence with which that sage and excellent man contemplated the church. It seemed as if all his pious enthusiasm for the ancient Dutch dynasty swelled within his bosom at the sight. The tears stood in his eyes, as he regarded the pulpit and the communion-table; even the very bricks that had come from the mother country, seemed to touch a filial chord within his bosom. He almost bowed in deference to the stone above the porch, containing the names of Frederick Filipsen and Katrina Van Courtlandt, regarding it as the linking together of those patronymic names, once so famous along the banks of the Hudson; or rather as a key-stone, binding that mighty Dutch family connexion of yore, one foot of which rested on Yonkers, and the other on the Croton. Nor did he forbear to notice with admiration, the windy contest which had been carried on, since time immemorial, and with real Dutch perseverance, between the two weather-cocks; though I could easily perceive he coincided with the one which had come from Holland.”

“Together we paced the ample church-yard. With deep veneration would he turn down the weeds and branches that obscured the modest brown grave-stones, half sunk in earth, on which were recorded, in Dutch, the names of the patriarchs of ancient days, the Ackers, the Van Tassels, and the Van Warts. As we sat on one of the tomb-stones, he recounted to me the exploits of many of these worthies; and my heart smote me, when I heard of their great doings in days of yore, to think how heedlessly I had once sported over their graves.”

From “Sleepy Hollow,” by Washington Irving.

I sought the ancient church, on the following Sunday. There is stood, on its green bank, among the trees; the Pocantico swept by it in a deep dark stream, where I had so often angled; there expanded the mill-pond, as of old, with the cows under the willows on its margin, knee-deep in water, chewing the cud, and lashing the flies from their sides with their tails. The hand of improvement, however, had been busy with the venerable pile. The pulpit, fabricated in Holland, had been superseded by one of modern construction, and the front of the semi-Gothic edifice was decorated by a semi-Grecian portico. Fortunately, the two weather-cocks remained undisturbed on their perches, at each end of the church, and still kept up a diametrical opposition to each other, on all points of windy doctrine.

When the service was ended, I sought the church-yard in which I had sported in my unthinking days of boyhood. Several of the modest brown stones, on which were recorded, in Dutch, the names and virtues of the patriarchs, had disappeared, and had been succeeded by others of white marble, with urns, and wreaths, and scraps of English tomb-stone poetry, marking the intrusion of taste, and literature, and the English language, in this once unsophisticated Dutch neighborhood.

I had heard enough! I thanked my old playmate for his intelligence, and departed from the Sleepy Hollow church, with the sad conviction that I had beheld the last lingerings of the good old Dutch times, in this once favored region. If any thing were wanting to confirm this impression, it would be the intelligence which has just reached me, that a bank is about to be established in the aspiring little port just mentioned. The fate of the neighborhood is, therefore, sealed. I see no hope of averting it. The golden mean is at an end. The country is suddenly to be deluged with wealth. The late simple farmers are to become bank directors, and drink claret and champagne; and their wives and daughters to figure in French hats and feathers; for French wines and French fashions commonly keep pace with paper money. How can I hope that even Sleepy Hollow can escape the general inundation? In a little while, I fear the slumber of ages will be at end; the strum of the piano will succeed to the hum of the spinning wheel; the trill of the Italian opera to the nasal quaver of Ichabod Crane; and the antiquarian visitor to the Hollow, in the petulance of his disappointment, may pronounce all that I have recorded of that once favored region, a fable.”

The Hawkins Mount House. Click to view large or order prints

In Richard Matheson’s classic novel from the 1970s, Hell House, a team of investigators are sent to spend a week in a haunted house to provide definitive proof of life after death. Almost immediately, a conflict breaks out between the scientist, who while not doubting the existence of the supernatural, or as he puts it, the supernormal, believes all phenomenon is mindless energy, and the spiritualist mediums, who believe that same energy is the conscious survival of personality from beyond the grave.

To read Matheson’s book today is instructive, for in the short thirty odd years since its publication, both points of view have been increasingly rolled into one, much as the characters in the novel eventually came to realize. Today the medium is as likely to have scientific and electronic tools in their kit bag as candles and a black shawl.

And yet, for all the scientific trappings that spiritualists drape their practices in today, we are no closer to have the definitive proof that the team sought when they entered the Belasco House in 1971.

Spiritualism burst upon the American stage of consciousness on March 31, 1848, when Kate and Margaret Fox of Hydesville, New York, made the extraordinary claim that they had contacted the spirit of a murdered peddler. Initially, the word of their accomplishments spread through reform-minded Quaker communities. The Spiritualist community was progressive minded – often advocating the abolishment of slavery and women’s rights. Women in particular were drawn to spiritualism, as they were able to play a major part in this new religion, both as lecturers and mediums.

And make no mistake, Spiritualism was a religion, expressing a belief in one god, but without many of the conventional trappings and restrictions of other organized religions. Priests and the clergy became unnecessary, as through direct communication with the dead, and as some claimed, the ability to go straight to God, meant that churches and their leaders were no longer necessary to achieve communion with the almighty.

Stony Brook, New York, on the north shore of Long Island, is one of the Three Villages, which include Old Field, Poquott and the Setaukets, and has long had a reputation for the historical and the macabre. Ralph and Mary Hall of Setauket were tried for witchcraft after the death of George Wood in 1665. The trial, at the court of Assizes in New York, acquitted Ralph. Mary, however, was placed on probation for three years. The spirits of massacred native americans, shipwrecked mariners and countless others have been reported in the area, from early in the history of the settlement to the present day.

The Setaukets and the area of Strong’s Neck played a vital role in the American revolution, with the Tallmadge spy ring playing a vital role in keeping George Washington abreast of British troop movements on Long Island and beyond. And in a roundabout way, it was in thanks to this service that our story begins.

The Hawkins Mount House. Click to view large or order prints

Jonas Hawkins built his store, post office and ordinary on the outskirts of Stony Brook in 1757. The house served also as tavern, hotel and post office, and saw quite a bit of traffic during Hawkin’s tenture, which conveniently allowed him to carry on through the bustle as one of the messengers for the Setauket spy ring.

It was also during this time, that Freemasonry was achieving great popularity in the early colonial settlements. Combining the mysteries of the East, along with western religion and scientific thought, Freemasonry is often considered the descendent of the hermetic traditions of the alchemists, and it’s members drew from the ranks of the middle and upper classes. In addition the freemasons popularized the concept of artists and artisans of “hermetic philosophers,” as David Morgan and Sally M. Promey puts it in their book The Visual Culture of American Religions. According to Morgan and Promey, modern Freemasonry “drew analogies between Masonry’s building secrets and the Divine Architect’s Masonic principles for shaping the geometric and luminous order of the universe.”

And the new American nation’s most prominent freemason was none other than George Washington, who made no secret of his connection to the organization. Following the revolution, Washington took a triumphant tour of Long Island, perhaps less to show appreciation to a population, the majority of which had remained loyal to the king during the revolution, than to thank the few who had supported his cause and to thumb his nose at those who doubted the cause.

Jonas Hawkins is believed to have been a freemason as well, as his public house was the regular meeting house of the Suffolk County Lodge of Freemasons, and according to local tradition, this was one of the stops General Washington made on his tour. Whether this was because of the freemasonry connection or to thank Hawkins for his service as a major in the Continental Army isn’t known.

Hawkins had a daughter, Julia, who was married to an innkeeper, Thomas Mount, descended from some of the earliest and most prominent settlers in Long Island. Between the time they were married in 1802 and his death in 1814, the couple produced eight children. Following Thomas’ death, Julia brought her brood to live with her father, Jonas, including a young son, William Sidney Mount.

This generation of Mounts proved to be extraordinarily artistic. The eldest son, Henry Smith Mount became a successful sign painter in New York, a trade which likely brought him considerable business from Freemasons. The second eldest, Shepard Alonzo Mount was a noted painter himself, having over 100 works listed in the National Academy of Design Exhibitions between 1833 and 1860. Ironically and perhaps one of the worst instances of bad luck imaginable, his son moved to Mississippi for his health just prior to the outbreak of the civil war, was drafted into the confederate army and handed a gun. He attempted to make his way to the union lines, was successful in that but found that his confederate uniform earned him a muddy spot in a prisoner of war camp. Shepherd, who was in Washington at the time, told of his son’s misfortune to a fellow painter, who happened to be painting a portrait of Lincoln, who then during a sitting told the president of the young Mount’s misfortune. Lincoln immediately secured the unfortunate Mount’s release.

The third son was Robert Nelson Mount, an itinerant musician and dancing teacher, who possibly became the inspiration of William Sidney, the fourth son, and his love for music. William Sidney Mount had a great love for the music of the people – the barn dances and particularly the fiddle which he was said to be especially skilled at. In fact, William S. invented a specially constructed fiddle, which could be heard much easier than a traditional violin during barn dances, when the crowd was notoriously louder than they might be in a more genteel concert setting.

William Sidney Mount was elected to the National Academy of Design in 1833 at the age of 25, and was already a rising star in the growing American art scene. A genre painter, in other words a painter of every day life, Mount’s fame spread along the eastern seaboard and was one of the first American painters to become prominent in European artistic circles, due to the newly popular color lithographic printing process, despite never venturing further from home than up the Hudson River, which at the time was still often called by it’s Dutch moniker, the North River. His paintings of African Americans were some of the first that allowed them to be seen as dignified, despite his own beliefs in segregation, state’s rights to decide the issue of slavery, and that the Civil War should never have been fought. Mount was in fact, a Presbyterian, and wrote in his diaries that at least in part, the war was brought on in part by the meddling of Catholic priests intent on stirring up the population.

Barns at the Hawkins Mount House. Click to view large or order prints

Mount never became a Freemason himself, though I guess we’ll never really know with the Freemason’s tendency towards secrecy and all, but his works display a remarkable working knowledge of hermetic traditions. In addition, his diary entires show a thought process which certainly fit in with Freemasonry and hermetic traditions, as well as painting techniques and concepts which stretched back to the ancient Egyptians, which of course figure in closely with masonic traditions.

A few years after the Fox sisters burst upon the scene, spiritualism had made its way to Stony Brook. It’s hard to understand the preoccupation with death in the 19th century, as in today’s world the process is much more sterile, distant and clean. Following a death, bodies were frequently laid out in the deceased’s home for instance, and I’m guessing it would be difficult to ignore grandma, grandpa or even little brother or sister stretched out in their coffin in the living room. The smell of the corpse, especially in the summertime, might also explain casket lids with a window for viewing the face, which were popular at the time, as well as the practice of surrounding the casket with scented flowers. It’s certainly true that the practice was done to show tribute to the deceased, and dates back to Roman times at least, but it’s equally true that it served a dual purpose of masking the effects of decomposition. As did the seemingly innocuous nosegay, carried by bridesmaids and prom dates throughout the country today. They were originally held just under the nose at funerals, the Old Bailey – the public courthouse in London, and any place where the more genteel ladies (and sometimes men) might find themselves in the presence of the great unwashed masses.

Death came more swiftly, from more directions and more frequently in the 19th century than today. It was partially in response to the astronomical number of casualties from the Civil War and World War One which led to the rise in Spiritualism, particularly the attempt to communicate with the dead. Some estimates for the War Between the States put the number of casualties at close to 700,000, which means that no matter how you look at it, there were a lot of victims of violent death during the years of 1861-65.

But there is nothing so tragic as the death of a child, and our story takes place prior to the Civil War. The author of the book “William Sidney Mount,” appropriately enough, one Alfred Frankenstein, writes that “There is a pronounced necrophiliac streak through all the popular arts of America in the nineteenth century; Spiritualism, in its finest aspect was an effort to spiritualize it.” One such practice common during William Sidney Mount’s day, was to commission portraits of the recently deceased’s corpse. While not exactly a coveted job, artists found it to be a lucrative practice, and Mount was no exception. He did write of the difficulty, both technical and psychically inherent in the work, which led him to charge double his normal price for a portrait of the dead, instead of a living sitter. Perhaps one of his strangest requests came fron John M. Moubray, who asked to commission a portrait from Mount of his deceased, ten year old daughter, whom he had lost two months previously. The work was to be done from a daguerreotype. In his letter to Mount, he also noted that “I shall remove her from the vaulted grave in which she now rests to a family vault that we shall build as soon as the spring opens … and then she can be seen if it will assist any in the painting of it as her coffin is so fixed that she can be looked at without exposing her to the air.” Mount accepted the commission, and upon completion of the painting noted dryly in his diary, “I don’t believe in vaults.”

The Joseph Smith Hawkins house in Stony Brook was built by a close relative of Jonas Hawkins, and reportedly has its own ghost as well, according to Ghosts of Long Island II, by Kerriann Flanagan Brosky.. Click to view large or order prints

Which Mount might have believed more firmly than the short diary entry reveals. He frequently writes that the dead do not rest within their graves, but rather their spirits are everywhere, as they make the journey through the various spheres of heaven (and one would assume hell as well). This concept is echoed in Mount’s belief in the deity. He believed that God was everywhere, and thus church was not necessary for him to hear a person’s prayers. For if the only place that God could hear your prayers was church, it stood to reason that God only existed in church, and he found too much evidence for his existence in nature for that to be true.

The news of the Fox sisters had reached Setauket as well. As Mount passed through the village in March of 1854 he chanced an encounter with an old woman, with whom he struck up a conversation. She had heard of the Fox sisters and the knockings but nothing more, so Mount whipped a book from his coat and began to educate her. She stopped him saying “it was nothing new to her, and as the tears ran down her cheeks, she related that she had heard her son John, who was dead distinctly speak to her, and she had often felt his head against her cheek. She felt the impression of his presence and she believed that the spirits of our departed friends are around us.”

In Stony Brook, Mount met with a group of like-minded individuals, and together they formed curiously spelled Miricle Circle. The main medium of the group appeared to be a Mr. Stewart, and the circle seemed to include several other residents of Stony Brook as well, including Mssrs. Isherwood, Bridgeman and Shepard. Seances were held at the home of Thomas Hadaway, a short walk from Mount’s home and studio, which was the former home of his grandfather, Jonas Hawkins. Old Jonas’ spirit, according to one of the spirits communicating to Mount at a seance at Hadaway’s house, was “in New Zealand. He wanders as a Tourist, whose expenses are paid, and whose curiosity about the sublime and beautiful conquers every other feeling.” Also during this sitting, according to Mount’s diary “raps and scratching were heard, and we felt touches about our legs and feet, by spirit hands.”

The Hadaway House, now the Country House Restaurant, Stony Brook, New York. Click to view large or order prints

To read Mount’s diary, it is easy to believe that the artist had become obsessed with spiritualism. He attends several conferences, lectures and seances in a variety of locations including New York City, to which he frequently traveled. And the appeal is easy to see, for seldom do you read of horror or terror being conveyed from the other side. Instead, what you hear about is a spiritual progression continuing beyond the end of mortal life, and an increasing communion with the divine. The message preached was one of love and of life, rather than death. A quote from Mount’s notebook by a Judge E. sums it up well, “He saved mankind by living not by dying. Do ye likewise.” Or as Mount himself wrote, “Spiritualism is nature itself. It teaches one to think, and thinking is the road to freedom.”

One of the more spectacular claims made about Mount, is that through seances, he was in contact with the spirit of the Dutch painter, Rembrandt. According to letters attributed in his diary as being passed to him by the dead artist’s spirit, he imparted his thoughts and knowledge to the younger Mount. In truth, he might have simply written the letters himself, and included the story about them being imparted to him from Rembrandt as a literary device. We will probably never know.

But Mount’s interest was short lived. Mount’s spiritualism diary ends in 1855, and there are scant references to Spiritualism in his writings afterwards, though his core belief, in the universality of God continued.

Mount kept a dedicated notebook to all matters involving spiritualism, which he commenced in 1854. “The credulity of dupes is as inexhaustable as the invention of knaves,” Mount wrote in this diary in 1854, and those words must have come back to haunt him as he stepped into the telegraph office one day in April, 1855. Dr. Warner, as well as two others reported that one of the Miricle Circle’s mediums, Mr. Stewart was “writing a book to show spiritualism to be humbug, as he had deceived many prominent individuals interested in spirit manifestations and intended to bring their names before the public.” All this he related to Thomas Hadaway in a letter, also expressing that he hadn’t spoken of it publicly, which leads one to assume that the Miricle Circle must have been at least in part, a private affair.

And that seemed to have ended Mount’s interest in the Spiritualism movement, though perhaps severing his spiritual connections proved more difficult than he thought, for there is some who believe that Mount wanders Stony Brook still.

One intriguing entry in Mount’s spiritual diary hints at a more ghoulish aspect of life after death. On the morning of April 14, 1854, Mount writes “I instantly awoke with a loud scream. I was lying on my back at the time, with my hands across me, my right hand on the top of my left hand, when by a concussion they were pressed suddenly down upon me with a power of fifty pounds, knocking my breath almost out of my body.”

In October of 1998, Newsday wrote of the experience of a family living in the Hawkins-Mount house in the late 1960s, and of the ghost of William Sidney Mount’s sister. A young girl named Elizabeth claimed that a lady in white appeared to her one night, at the foot of the bed. It seems that the girl was unhappy in the house, and the spectral visitor sought to reassure her that she would be happy here, as her name was Elizabeth too, and that she was welcome to stay. Following the visit which her parents doubted the truth of, other odd occurances were reporting, such as faucets turning on by themselves.

According to Bob Willemstyn, owner of the former Thomas Hadaway House, now the Country House restaurant, Mount’s ghost might very well still stop in to his former friend’s house on occasion. He related to me, that on about four occasions over the past thirty years, a cloaked figure has been reported in the restaurant, standing on one occasion near the entrance to the bar from a side dining room, just across from where we spoke. In addition, there are times when things mysteriously break, like wine bottles being thrown from the shelves in the basement while he stood by watching, which he believes might be the dark presence of William Sidney Mount.

That he attributes the poltergeist activities and menacing aspect of the hooded figure to Mount is somewhat curious, as Mount was known to be a man of moderation, easy going and a generally happy cat. But that Mount at least possessed a cloak is evidenced by an entry in his diary – which I might add the man documented absolutely everything, including his various ailments and remedies – in which he describes his attire for visiting his portable studio in the winter time. And besides, you can never discount the feelings of a person who lives and works in an environment shared by spirits, of which the Hadaway House has many. Sometimes a feeling or a hunch can be just as accurate as a piece of hard evidence.

In her book, Ghosts of Long Island II, Kerrian Flanagan Brosky’s ever positive sidekick, Joe Giaquinto weaves an explanation that manages to negate the fact that Mount seems to have abandoned his pursuit of the more macabre and formal elements of spiritualism. In her book, she writes that Joe says “Mr. Mount is frustrated because he wants to get his beliefs across. He knows they’re true now, and he’s upset that he let it all go when he was alive.”

But to quote from another supporter of spiritualism, Sir Arthur Conan Doyle and his most famous creation, Sherlock Holmes, “How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth?” Doyle was great friends with Harry Houdini, one who had quite a bit of experience in pulling a fast one over the eyes of the public. Houdini devoted a lot of time and effort into exposing the charlatan’s of the Spiritualism movement, which eventually led to a breach in his friendship with Doyle, which they never were able to heal.

Houdini and others, such as Harry Price eventually poked several holes in many of the phenomena that mediums were using at the height of the movement. The most devastating blow came in 1888, when Margaret Fox gave an account of how the two Fox sisters managed to produce the phenomena, by utilizing the darkness of the room, the imagination of the spectators, and the simple popping of their fingers and toes. Margaret wrote ” Like most perplexing things when made clear, it is astonishing how easily it is done. The rapping are simply the result of a perfect control of the muscles of the leg below the knee, which govern the tendons of the foot and allow action of the toe and ankle bones that is not commonly known. Such perfect control is only possible when the child is taken at an early age and carefully and continually taught to practice the muscles, which grow stiffer in later years. … This, then, is the simple explanation of the whole method of the knocks and raps.” She continued, “A great many people when they hear the rapping imagine at once that the spirits are touching them. It is a very common delusion. Some very wealthy people came to see me some years ago when I lived in Forty-second Street and I did some rappings for them. I made the spirit rap on the chair and one of the ladies cried out: “I feel the spirit tapping me on the shoulder.” Of course that was pure imagination.”

Skeptics had been noting the possibility of the cracking of joints as the source of the rappings, as early as 1851, well before Mount discovered his interest in seances and mediums. Houdini wrote “As to the delusion of sound. Sound waves are deflected just as light waves are reflected by the intervention of a proper medium and under certain conditions it is a difficult thing to locate their source. Stuart Cumberland told me that an interesting test to prove the inability of a blindfolded person to trace sound to its source. It is exceedingly simple; merely clicking two coins over the head of the blindfolded person.”

Margaret Fox later recanted her confession, but by then the damage had been done, and there was a general opinion perhaps that those who still believed in such phenomena, believed because they wanted to believe. William Sidney Mount died in 1868, twenty years before Margaret Fox’s confession. That he never resumed his interest in Spiritualism is telling to me, for I can’t believe that he abandoned it simply from fear that the public exposure of his interest might have on his career. For after all, at the time of his abandonment of it, the movement was still on the rise. And besides, his private writings he had to assume would remain private.

That he realized he had been duped seems to me a much more logical explanation, and his quest of knowledge would have certainly upon reflection, have given him his own theories on the afterlife. Because after all, the belief which remained constant throughout his life was that it was possible to learn the truth through one’s own quest for knowledge. Just as it wasn’t necessary to be preached the doctrine by priests and proponents of organized religion, it wasn’t necessary to go through mediums and the spirits of the dead to reach insights into the almighty. That was after all, one of the basic tenants of hermeticism and Freemasonry, and was an aspect that one can find clues to not only in his writings throughout his entire life, but also in his work. For Mount, finding God was simple, all he had to do was look at nature.

The Hawkins-Mount House, Stony Brook, New York. Click to view large or order prints

While it might be comforting for some to believe that Mount haunts today to show that his early beliefs in Spirituality were true, it’s just as easy to believe that he haunts because he knows now that his earlier beliefs were false, and that rather than being on his way to the higher spheres of heaven, instead he’s at least partially trapped in spirit here on this plane. And that to me would be a much more logical explanation of why his spirit, if in fact his spirit is the one responsible for the broken bottles and other poltergeist phenomena at the Hadaway House, is not at peace.

But a more likely explanation is that like the characters in Hell House, none of us know the full truth. We all know bits and pieces of fact, we all have hunches and ideas. Many of us have witnessed phenomenon and what we’ve seen and experienced is what makes us believe. The scientists and mediums in Hell House pursue their theories and beliefs to sometimes grisly ends, and only at the moment before they reach those ends do they learn the full truth, and the error in their hypothesis. The danger in Spiritualism isn’t in believing, or in the trappings of the movement even. It’s the unwavering certainty that you know for certain, the truth that can never be known from this side. In the end the answers all become clear, but we aren’t giving the luxury of knowing the truth and living to tell the tale.

The Carman-White House. Click to view large or order prints

Samuel Carman was a wealthy landowner in Head of the Harbor, New York in the 19th century. Following the death of his wife in 1888, his unmarried daughters built on Moriches road, a two story house in the Victorian style, in the same neighborhood as the other Carmans of the area. Sarah died in 1896 and Julia in 1909.

Eventually the widow of Stanford White, one of the most celebrated architects of his day, began acquiring properties which was once part of the Carman estate, including the house built by Carman’s daughters. His widow, Bessie lived at Box Hill, the home she had shared with Mr. White, along with their son Lawrence Grant. Lawrence had a large family, and the children and constant noise and activity, it seems wore on Bessie, and soon she was looking to escape to a more quiet surroundings. Lawrence remodeled the house which once belonged to the Carmans which is a short distance down the road from Boxwood, and Bessie moved in, where she lived out the rest of her days as the house was continually transformed to adapt to her deteriorating condition, as well as Lawrence’s wife Laura Chandler, who moved in following his death.

Bessie’s grandson Larry eventually became custodian of the house, along with his wife Janice, a medical writer with master’s degrees in archaeology and anthropology. After moving in they began to experience unusual sounds – voices which seemed to be coming from the old kitchen, in the area where the kitchen table must have once set, which after the modifications to the house, would be where the dining room is now. According to Janice, the voices sounded like two old ladies talking in the next room, as though through wall, though the voices seemed to be emanating from very close by.

They also reported hearing a person walking upstairs with a cane, coming from areas that had been closed off, as though someone was knocking on the old doorways.

Janice eventually became convinced that the banging was related to a portrait of Lawrence White, which hung in the dining room. She stashed the portrait in an unused closet, and that stopped the banging, though the footsteps continued, clearly and distinct, as well as the sounds of a cane.

After some time, a relative requested the portrait, and Janice went to the closet to retrieve it. She found the glass and frame smashed, though it hadn’t fallen, nor had anything fallen upon it. She had it repaired and sent it to the relative, and at that, all the supernatural sounds in the house ceased.

All except one.

One day, while working and wearing headphones, Janice clearly heard a voice telling her to run upstairs. Unnerved, she did so, to find her baby choking and turning blue. She dislodged the obstruction, and the baby lived, and that it did she credits to the unknown voice.

It’s impossible in situations like this to say whose voice she heard. Perhaps it was one of the White widows, Bessie or Laura. Perhaps it was one of the Carman spinsters. When it comes to ghosts, perhaps we never know the truth, at least not in this lifetime. The truth about life after death comes to us all however, in our own time.

The Carman-White House. Click to view large or order prints

Information for this story was taken from Head of the Harbor, A Journey Through Time. by Barbara F. Van Liew, Village Historian

Sweet Hollow Road. Click to view large or order prints

The legends and stories of a woman named Mary are found scattered all over Sweet Hollow Road and Mount Misery. I’ve spoken to people who were teens in the sixties, and some of the stories were around then, and undoubtedly, some are much, much older. There’s Mary’s grave in Sweet Hollow Cemetery, which once had the words “Life, How Short” inscribed over its gates. There are actually a few Mary’s graves in that cemetery, if you get to poking around. The story is well-known. Go to the grave and stand before the tombstone, shine your flashlight on it, say Mary three times and Mary will appear to you. Or Mary will strike you dead on the spot. Or you will die before the sun comes up. There are many variations, and not only in this graveyard, but in graveyards all over Long Island, and in fact, all over the world.

Sweet Hollow Cemetery on Sweet Hollow Road. Click to view large or order prints

As a child, my sister taught me that if you stared in a mirror without blinking and repeated out loud “I don’t believe in Bloody Mary,” over and over again, you would eventually see her, which of course is an optical illusion much more effective if you are female. Another variation of the same story.

People point to one or another tombstone with no words but Mary carved on them, and believe this must be the Mary’s grave of legend. Sadly, if you look nearby you’ll usually see a family tombstone, with the children listed, and the dates Mary died, along with her family. It was once a very common practice. No real mystery there about a tombstone with only a single name.

The stories pile up: Mary can sometimes be seen standing next to her tombstone. Mary is buried across the road from the graveyard, a suicide victim, not eligible to be buried in hallowed ground, and can sometimes be seen standing just inside the forest, watching. Mary is spotted sometimes, walking along the side of the road in her white dress. Mary darts out in front of cars and disappears. Mary sometimes flags you down and asks for a ride home, and when you reach the graveyard she tells you to stop, and says this is where she lives. When you look again to the passenger seat she is gone.

There are several Mary and the car stories in fact, which typically portrays Mary as an innocent, the lady in white. Mary and her husband were newlyweds going down Sweet Hollow Road when they were both killed in a car crash. Mary wanders the road in her wedding dress, looking for her husband, and her husband’s phantom headlights can be seen scouring the road for Mary. In another tale, Mary was a teenager whose boyfriend suspected her of cheating. In a fit of anger, while they drove through Sweet Hollow, he opened her door and pushed her out. Mary lived, but before she could crawl off to safety, another car ran over here like a bump in the road, killed her and kept on driving. Her spirit walks along the roadside now, looking for her jealous boyfriend and the driver who killed her.

Unfortunately, for those who need to believe that one or more of these stories are true, all of them can be found as urban legends throughout the country. What the urban legends about Mary make up for in quantity, they lack in originality.

Mary of Sweet Hollow Road (Amber D’Amato, model). Click to view large

And what would a colonial era area be without a witchcraft legend? Mary treated the children of the area who had contracted smallpox, and unfortunately, several of them died. The locals as a result, accused Mary of witchcraft, and stoned her to death. Children playing in Sweet Hollow from time to time feel her tender hands stroking their hair. Other tales are less specific, only that she was accused of being a witch and was hung, some say in Sweet Hollow itself, others in Huntington. This is of course easily shot down, as the town records for the era are in existence, and does refer to a couple of accusations of witchcraft, which resulted in no hangings or stonings, and none involved a Mary from the Sweet Hollow area.

The first question to ask to get to the truth of the legend is why Mary? All these events didn’t happen here, and certainly not by a women named Mary. But most legends have some grain of truth about them, and at some point there might have been a Mary who lived along Sweet Hollow Road, and perhaps something happened so memorable and so horrifying, that she’s become a magnet for urban legends, which stick to her name like glue.

Or perhaps it wasn’t horrifying after all. As a child in the midwest, I heard the story of Black Annie, who wandered the alleys in our hometown at night, looking for children who were out where they shouldn’t be. If she caught you, she’d rush towards you screeching “my children, my children,” in her delusions, believing you to be one of her children who were lost to her long ago. Some stories claimed that the walls of her house were papered with the skin of the children she found after dark.

In truth, the tale is believed to have originated in the British isles, and refers to a nun, hence the black clothing, who used to care for leper children. She lived in a cave so as not to spread the disease should she contract it, and the walls of her cave were covered with tokens that grateful children had given her.

So you see, in time, even the best among us can become horror stories, especially if parents can tell the tales to keep their children from wandering where they shouldn’t be.

Many of our urban legends and ghost stories were brought over by immigrants from other countries. And it’s likely that this happened with Mary, and also that some of the tales are much older than one would suppose.

Here’s a basic question which no one seems to ask, why the name Mary? Why is this name associated with legends and mysteries? In fact it’s a practice which goes way back, all the way to the Good Book, the Bible, to the story of the virginal Mary at the well. Mary had just drawn water from the well when the angel Gabriel appeared to her and told her that she was to give birth. Some might say that lie has begat countless lies about Mary since then. Others might be more considerate and say legend rather than lie. And of course, there are others who simply believe.

Some might point to that other Mary, the Magdalene, as the source of mysteries attached to the various Marys. There’s a great body of evidence that this Mary was much aligned by the disciples, apostles and the authors of the various books of the Bible. The oldest tales have her afflicted with demons, something which wouldn’t be her fault after all, which gradually metamorphosed into Mary being a prostitute. Just like our Mary, her tale seems to have changed over time, and not for the better.

Of course, one can’t count out the fact that Mary was one of the most popular names throughout the ages. In the 19th century, it was hard to swing a dead cat, black or otherwise without belting a woman named Mary.

As I wrote about the story of Mary Hatchet at Head of the Harbor, legends about women named Mary are especially common around wells and springs. In Ireland, a lot of the cures and miracles that are associated with the cult of Mary are attributed to Saint Brigid, who actually predates Christianity, whose shrines are typically found at wells and springs, and whose pagan origins became entwined and replaced with the worship to Mary the virgin. In fact springs are considered sacred in most ancient cultures, from the people who built Stonehenge and who turned Glastonbury into the mystery it is today, to the native Americans. In a suburb of London a couple centuries back, there was a popular legend about a Mary remarkably similar to the Mary of American folklore, who was said to haunt a well.

That people coming to these shores brought folk-tales and legends with them isn’t even a matter for debate. Neither is the fact that they then began to associate these stories with landmarks near their new homes. Wells and springs were dangerous places, particularly when the wildlife on Long Island was likely to kill and eat you. After all, animals typically used the same springs as humans, so children were particularly vulnerable to these dangers. Tell a child to stay away from the spring because there might be wolves and they’ll go there every chance they get. Tell them that Mary might be there and they’ll think twice.

There was a spring in Sweet Hollow, around the intersection of Chichester Road and Sweet Hollow Road. It was called Mountain Mist Springs, and the water from there was used in the early 20th century, bottled and shipped to Montauk to treat soldiers returning from the Spanish American War suffering from yellow fever. Certainly the spring was known of much earlier, and being a spring, it was likely considered a dangerous, and quite possibly a haunted place. Certainly the kind of place that a mother would warn children to stay away from, even employing what are affectionately called mommy lies to keep them away.

Which brings us to a couple of the most gruesome tales told about Mary of Sweet Hollow Road.

It was near this spot that according to one legend, a house once stood where Mary and her family lived. As the tale is told, the house caught fire and Mary burned alive in the blaze. On lonely nights you can still hear her screams. And it is entirely possible that this story is true. A look through newspapers of the 19th century find many articles about fire in Sweet Hollow. It was remote, under populated, and as a result, fire and rescue services were basically non-existent. There are however, no articles that I’m aware of which refer to a woman named Mary perishing in any of the blazes, though I did find one of an elderly gentleman who was burned alive.

One of several Mary’s graves in Sweet Hollow cemetery. Despite the plain marker, the details of the person’s life is usually spelled out on the adjacent family stone. Click to view large or order prints

But the story can’t end there, as the stories are never told the same way twice. Mary became an arsonist, who set the blaze in which she died, as well as her family. It wasn’t her home, but an insane asylum which Mary had been committed to, and the other patients and the staff burned alive as well.

To begin with, as I’ve pointed out in the first article in this series, there is almost no possibility that there was an institution here during that time. There wasn’t a population to support it, there was no money allotted to it, and the infrastructure wasn’t there. Think about it – the reason given for it being located on Mount Misery is that it was remote, and so neighbors wouldn’t be upset by the screams of the patients. Being remote, there weren’t enough people needing mental care – which was almost non-existent at the time anyway, to warrant the service. Some say it was for patients from New York City, but most of Long Island was farmland or wilderness at the time. They certainly didn’t need to come all the way to Mannetto Hills to find a suitably isolated location.

So Mary was never a patient in the mental institution on Mount Misery, nor a worker, nor did she set the fire that killed all the inmates and the staff. Which means she couldn’t have laughed as she burned alive, and therefore her laughter and the patient screams can’t be heard on Mount Misery. Nor can you occasionally catch the scent of burned wood and flesh, unless it’s from a different ghastly fire.

And that different ghastly fire wasn’t the second institution, built after the inferno that was supposed to have swallowed up the first one. Once you get past the colonial era, you’re in well-documented history. And there is no documentation of a mental institution in the area in the 19th or 20th centuries either. At least none that has come to light, and it would have to be hidden in a very dark corner of history to have remained hidden all this time. After all, if such a tragedy existed, there would be a documentary on PBS – Tragedy at Sweet Hollow.

One of the first asylums on Long Island was built in Amityville, and that structure did catch fire once. But not with wholesale death and destruction. And of course, that fire was well-reported, even in the New York Times. As are several other fires in mental institutions in the New York City area. This was a constant fear, and at times it did happen, sometimes with the loss of human life. It just never happened on Mount Misery, nor along Sweet Hollow Road. Which also brings into the doubt the integrity of all those ghost hunters out here who have EVPs of people being burned alive on Mount Misery.

Sweet Hollow School on Sweet Hollow Road. Click to view large or order prints

“But,” dear reader you might ask, “what about the schoolhouse fire?”

Which brings us back to the intersection of Sweet Hollow and Chichester roads.

Just up Sweet Hollow Road from this intersection is the old West Hills school. The old West Hills school house was built in the 18th century, and as the population of the area in the 17th century was dismally low, it’s unlikely that there was an earlier one, lost to history. According to the grand-daughter of Lemuel Carll, when the old school building was partially burned in the 1880’s, she walked to Melville school. Once repaired, the building was used as a school until 1912.

There are two main legends about this school. In the first, Mary is at her home at the intersection when her father, the school teacher returns from a hard day of work. She notices he has a funny smell about him, which he said was from smoke. When she asks why, he relates to her that, more or less, he got fed up with the noisy little rugrats, went outside the school, locked the door from the outside and torched the place. Then presumably danced his little happy dance as all the hapless creatures inside were toasted like marshmallows. Understandably horrified – as she was never a teacher herself, otherwise she might have been more understanding – Mary retreats to her room and hangs herself in shame. And since there are those who can never have Mary being a victim, in some telling of the tale, Mary was the school marm and set the blaze herself.

In another version, the father dispatches the students one by one with an axe, which is certainly a more hands on approach. And of course, in another, it was Mary wielding the axe.

That bloody hatchet.

Sweet Hollow is a short road, but a long enough road for Mary to make the leap from the innocent lady in white to the ruthless killer garbed in black, Mary Hatchet.

You find the full range of Mary’s emotions in these stories. There’s Mary the victim, where Mary was molested by her father, or sodomized by her boyfriend, and she takes her revenge with a hatchet to the skulls of her transgressors. In some tales, there were two sodomites, and as a result, she takes two lives every year beyond the grave, which of course is poppycock as two people yearly dispatched with hatchets to the head would surely attract people’s attention in the liberal news media. And yet I’ve seen no CNN trucks parked alongside Sweet Hollow road with film crews scouring the area. Film crews abound of course, usually consisting of amateurs with sometimes startlingly professional equipment, the results usually finding their way to YouTube.

And there’s the insane Mary as well, with Mary cleaving the brains of her entire family for no other reason other than she wanted to. Or perhaps it was those pesky voices in her head. These stories can be found all over Long Island as well, nay, all over the country. Anyone out there remember the truly atrocious southern rock band of the seventies, Molly Hatchet? Same story, only a prostitute in New Orleans, and Molly is of course a derivative of Mary. And the whole prostitute premise harkens back to the Magdalene.

Luckily enough, Mary Hatchet is a historical figure. Often depicted in drawings, engravings and photographs wearing a black, Victorian style dress and wielding a hatchet, Mary was quite a popular figure early in the twentieth century. She was one of the symbols of the Women’s Temperance Christian Union, who campaigned tirelessly to have the old demon alcohol prohibited. Which she eventually accomplished. These organizations often met secretly, and to avoid people disrupting their meetings, they never gave out the address. Only that the meeting would be held at Mary Hatchet’s house, hence the large number of Mary Hatchet’s houses found in folklore all over the country.

And for those of us who might enjoy a bit of the sauce now and then, plenty of reason to make up mean stories about the woman.

Unfortunately, this image of Mary the crazed, axe-wielding lunatic is likely to be the one we’re stuck with for some time to come. For coming this fall to a theater near you, Blood Night, The Legend of Mary Hatchet brings the legend of Sweet Hollow road to the masses. Of course it’s not the legend of Sweet Hollow Road, to borrow a particularly catchy phrase I read recently, “any more than masturbating to Posh Spice makes you David Beckham.” It’s just an excuse to swill a few buckets of gore and gallons of blood across the big screen. It’s billed as stemming from the real Long Island legend of Mary Hatchet, though in truth it bears little resemblance to any of the stories. No doubt many people will fall for the illusion the film’s marketing is trying to spin, that the events, or at least some of the events actually took place. Already people are googling Mary Hatchet and Mary Mattock to find the true story. For good measure they even toss in Kings Park Psychiatric Institute into the film, re-christianed as the more scathing Kings Park Lunatic Asylum.

If they look hard enough, they’ll find there is no true story, only a rich body of legend. Hopefully they’ll find the much simpler tales, told for the sake of a good story, which captures the feel of the place, if not the history. There are plenty of Mary stories to choose from, and if your tastes run to the gruesome, you’ll find plenty to your liking.

But my favorite is much simpler. Mary is seen wandering the woods along Sweet Hollow Road. No reason why, no horror or gore, just a ghost moving through the trees. Which is why I like the simplest story the best. I’ve hiked most of the trails on Mount Misery, Sweet Hollow and West Hills, in summer, winter, spring and fall, and in day and night. I’ve stood over Mary’s grave and said her name three times. I’ve called for her in the woods. And so far she’s not shown herself. I’m not saying she’s not there, just that so far, I’m still alive, and still walking the woods alone.

Why does Mary still wander the woods of Mount Misery and Sweet Hollow? Because she is called to. She’s summoned by countless fear seekers, ghost hunters and curious teenagers each year, and no doubt will be this Halloween as well, and for many more to come. I have no doubt that from time to time, when someone calls, she’s there. There is something about us that needs the supernatural. And as long as we need Mary, she will come.

Ballygally Castle Hotel,

Ballygally Castle Hotel, County Antrim, Northern Ireland. Click to view large or order prints

It was Christmas a number of years back, and an elderly couple had booked a room at the Ballygally Castle Hotel, at the head of Ballygally Bay on the Antrim coast of Northern Ireland, a short twenty miles north of Belfast. The hotel and castle sits nearly on the bay itself, and in winter the wind blows hard and cold. When they arrived at the hotel, they were surprised to see various members of the staff preparing for a fancy dress ball, and that night, there was a knock on the door. When the gentleman opened the door, he found standing there a member of the serving staff, with an invitation to the ball. Not having any other plans, they attended and had the most beautiful evening. The hotel staff and other guests were all decked out in period attire, and everyone kept their tongues pressed firmly in their cheek to make the evening as authentic as possible. There are medieval banquets after all, all over Ireland and England, but the couple agreed that this surely must have been one of the finest.

The next morning at breakfast they couldn’t help but thank the lady who was the manager for one of the nicest evenings that they could remember. Which surprised their host to no end, as the ball was not scheduled to take place for another two days.

Upon learning that, perhaps understandably, the couple checked out.

Ballygally Castle dates from 1625, and is built in the style of a French Chateau, with exceedingly high walls five foot thick, including loopholes for firing muskets at the advancing enemy. It’s high corner turrets, dormer windows and steep roof makes for a remarkable and memorable site on the windswept coast. With its back to the sea, it was imperative that it be build solidly, so that it could withstand sieges. In fact, there was once a stream which ran through the castle itself to provide fresh water in such an event.

It was built by a Scotsman by the name of James Shaw, who rented the land from the Earl of Antrim for 24 pounds a year. The Scots have had a long history with the north of Ireland, both as allies and in exchange of labor for seasonal work, and as the Scots coming over as settlers and conquerors at the bequest of the English.

The castle remained in the Shaw family till 1799, when William Shaw sold the estate to Cyril Lord, a carpet tycoon, who extended and renovated the structure, before it was again sold and eventually became a hotel. Today the castle anchors one wing of what is essentially a modern hotel, with banquet rooms, the renowned Garden Restaurant overlooking the castle grounds, a bar and 44 bedrooms. It is situated along one of the most picturesque coastal drives to be found anywhere, passing the Giant’s Causeway to the north, a world heritage site and truly one of the most impressive natural rock formations to be found in Ireland, as well as the scene of several stories from their mythological past. Nearby is the breathtaking Nine Glens of Antrim, which makes for either a beautiful and only slightly hair-raising drive, or can provide days of hiking through some of the most beautiful country in the north of Ireland. In addition golfers and anglers find themselves in a sportsman’s paradise.

The Giants Causeway, County Antrim, Northern Ireland. Click to view large or order prints

There are four guest rooms in the castle section of the hotel proper, and those who stay there are thought to share the castle with its most famous resident, Lady Isobel Shaw. There are small placards throughout the castle which lead you to the Ghost Room, a top corner turret which overlooks the Irish Sea. It’s cramped, confined and contains only a few sticks of modest furniture – a metal cot-like bed, a cabinet with mirror, a table and a portrait of a rather grim faced woman. There is one window which is quite small, but one supposed, large enough to have suited it’s macabre purpose one day long ago.

According to legend, James Shaw married the unfortunate Lay Isobel, who was unable to product a male heir, only a single daughter. In anger, Shaw had her imprisoned in the turret, where according to the story she went mad and leapt to her death. Another tale tells of henchmen hired by the Scotsman who threw her down the steep stairs which lead to the room. Still another claims that Isobel was having an affair with a sailor, which was discovered by Shaw who in a fit of jealousy, had her imprisoned in the room.

Since that time her spirit is said to haunt the tiny room, sometimes making itself known by the scent of vanilla, sometimes appearing to guests in the castle part of the hotel, looking desperately for her daughter. Guests have been awakened in the night to find her standing in the middle of their room, only to watch her fade away to nothingness.

According the book, The World’s Most Haunted Places, by Jeff Belanger, BBC reporter Kim Lenaghan was recording a piece on Ballygally Castle Hotel for a Halloween segment on the show, Good Morning Ulster. Lanaghan related to Belanger, that she sat with a medium in the Ghost Room. Lenaghan reported that the medium “was not in a trance, but she was certainly very focused on what she was doing … The next thing that happened is it started to get a lot warmer. I mean significantly warmer—the temperature in the room must’ve gone up by 10 degrees. Then she started talking to someone, literally coinciding with the temperature going up, and a smell came. It didn’t waft in – I mean the smell came straight on almost instantly. It smelled like vanilla, but it wasn’t exactly vanilla. While it was a vanilla-like smell, it was an old, slightly musty smell. Musty vanilla – I know it sounds ridiculous. But that’s what it was.”

According Belanger’s book, “The medium would later explain that the spirit was that of a young woman who was scared and looking for her young daughter. The medium told Lenaghan that “they were keeping her there against her will, and she said there was an older woman who wouldn’t let her out of the room.” During the conversation, this woman continually ran to the window looking for a man named Robert who was out at sea. The spirit didn’t understand why Robert didn’t come back to get her.”

Lenaghan was planning on spending the night in the room, and the medium told her not to be afraid, as the spirit wasn’t angry or malicious, just afraid.

So was Kim.

But she appears to be the consummate reporter, and armed with a flask of coffee, brandy and a tape recorder, she ascended the stairs to the room, settled in and waited. According to Ms. Lenaghan, around 3 a.m. the room started to get warmer again. “I thought: It’s the coffee and the brandy. And then it got even warmer and I thought: No, this isn’t right. And the next thing, the smell came back instantly – that same smell. And it was even stronger than before. The smell was very intense toward my head. Yes, it was a smell, but the weirdest thing of all was it was a smell that almost covered you, like a sheet – it was all pervasive. It was almost like you could feel the smell on your clothes and in your hair and on the bed.”

Seconds later the reporter fled the room, and spent the rest of the night in a room as far from the turret as possible. The next morning the staff took her back to the room, where they reported that several guests had heard knocking during the night, one reported seeing a woman in their room who faded away to nothing, and then showed her, written in the dust of the mirror of the ghost room, the name Kim.

In addition to Lady Isobel, the castle part of the hotel is said to be haunted by the ghosts of one or more children. Guests have reported being woken up by small hands pushing and tugging at them in their sleep, only to wake up and find no one there, hearing only the sound of a laughing child. Most reports consist of knocking at the doors of their room in the night, followed by the laughing of children and the sound of small feet running away down the hall.

Dunluce Castle: haunted house pictures

Dunluce Castle. Perched on a rock 100 feet above the ocean, and separated from the coast by a 20 foot chasm, Dunluce Castle dates from 1200-1600 a.d., and was the site of battles and a wrecked ship from the Spanish Armada. According to legend, in 1639, during a wedding celebration, while a storm raged outside, part of the castle fell into the sea, taking several guests and the entire cooking staff, with the exception of one small boy who huddled in a corner and later escaped to safety. Dunluce Castle is probably best known, though not by name as the gatefold photo. Click to view large or order prints

Yet another spirit is said to haunt the hotel, that of Madame Nixon, who lived there in the 18th century. After her death, she was reputed to wander the castle still, knocking on doors, and it’s often reported by guests that they hear the rustling of her silk dress passing them in the hallways, invisible and wafting the scent of her perfume.

It was a cold and bleak late October day when we pulled into the Ballygally Castle Hotel. It was well beyond the tourist season, and we more or less had the place to ourself. We took a cold, wet and windy walk along the beach, and the sense I had of the place was one of desolation. Perhaps in the summer months children laugh and play, the sun warms the skin and life and energy abounds. Alone and chilled to the bone however, with only a skeleton crew manning the hotel, it could easily work as a set for a gothic horror film.

We returned to the hotel and visited the ghost room. In truth, it is close in there, and one can only imagine the claustrophobia of being imprisoned in such a tiny space. Even the staircase leading to the room is narrow and confining, obviously meant for people shorter in stature than myself. Our room was at the foot of this staircase, at my request. Of course I had asked to book the ghost room itself, which isn’t available. But I suppose should one wish to spend the night in the room, there doesn’t appear to be anyone stopping you from mounting the stairs at night and holding your own vigil.

Which following dinner than evening in the Garden Restaurant, we decided to do. There was only one other couple in the dining room that night, and you could hardly escape the feeling and the memory of the Overlook Hotel in The Shining, with its own ghostly children and sense of ghastly isolation. So following dinner we adjourned to our room, and fortified with Guinness and perhaps a dram or two of Irish whiskey, I grabbed my video camera and we started towards the staircase which leads to the Ghost Room of Ballygally Castle. I switched on the video recorder, put it on night vision and we started up the stairs. My disappointment must have shown in my face as the camera beeped at the top of the stairs and I looked down to see the dead battery icon light up, and the camera switch off. We went in anyway, and at night, in near total darkness, the room is indeed creepy. Neither of us had any real interest at that point in sitting there in the dark, so after a few tense moments we went back down the stairs.

Back in the room I went to plug in the camera, and noticed that it fired right up, still on battery power. So once again we started up the stairs, and once again, at the top of the stairs, the camera switched off.

I got the hint, and we went back to the room and turned in for the night.

We were soon asleep, and sleeping the sleep of the dead when I awoke to the sound of tapping. It appeared to be coming from my left, the direction of the door. The tapping soon grew louder into a knock, and finally to a banging. I started to wake my wife, who was still sleeping beside me, as the banging started coming closer, passing over us and to the other side of the bed, when following a moment of unbearable silence, the furnace kicked on. As they say, old houses have their own noises. And perhaps the mysterious knocking people hear in the night is nothing but a cantankerous furnace, rather than a restless spirit.

But the next morning, as we drove toward Belfast, I noticed my wife watching the video of us walking up the stairs the night before. The camera working once more, on battery power alone.

Sometimes hauntings manifest themselves as an apparition, sometimes as a knock at the door, sometimes as ghostly voices and the laughter of children. All I witnessed was a malfunctioning video camera and a noisy furnace, but in the end, that made the night well spent.

Sullivan’s Island, Charleston, South Carolina. Click to view large or order prints

“I asked myself- “Of all melancholy topics what, according to the universal understanding of mankind, is the most melancholy?” Death, was the obvious reply. “And when,” I said, “is this most melancholy of topics most poetical?” From what I have already explained at some length the answer here also is obvious- “When it most closely allies itself to Beauty: the death then of a beautiful woman is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover.”

Edgar Allan Poe

Poe has often been called the master of the macabre, but to me, a better title would the master of the melancholy. Annabel Lee was the last completed poem by Poe, and was published shortly after his death in 1849.

It deals with a love born in childhood, which the angels found so beautiful, they became jealous and snatched her away from the narrator. It’s not known if Poe had anyone in mind when composing the stanzas, though it’s often thought that he was thinking of his wife, Virginia, who died in 1847 of tuberculosis.

There is another theory, though no evidence exists of it’s authenticity.

Poe joined the army in 1827, and was sent to Fort Moultrie on Sullivan’s Island, near Charleston, South Carolina. Already interested in literature and already writing, Poe is known to have haunted both the beaches of Sullivan’s Island, as well as the taverns of Charleston. It’s possible that there he heard the following story.

In the legend, a sailor meets a woman by the name of Annabel Lee. They would meet nightly in a graveyard, as her father disapproved of the union. Soon his time in Charleston was up, and he went back to sea. While there, Annabel contracts yellow fever and dies. Her lover, distraught, returns to Charleston for the funeral, but is turned away by her father, who also keeps the place of her internment a secret. So the lover keeps vigil for her in the cemetery where they used to have their moonlight assignations.

Annabel Lee
Edgar Allan Poe

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in heaven,
Went envying her and me-
Yes!–that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling–my darling–my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.

Unitarian Churchyard Cemetery, Charleston, South Carolina. Click to view large or order prints

The Ragged Cot Inn, Minchinhampton, England. Click to view large or order prints

In December 1760, the landlord of the Ragged Cot, Bill Clavers, decided to rob the midnight stagecoach travelling to London. Before setting out, he gave himself Dutch courage and resistance to the cold with liberal helpings of rum. As he staggered from his bedroom with loaded pistols, his wife, with their young child in her arms, tried to dissuade him. In his anger he roughly pushed her aside and she fell down the stairs. Delirious he fled the house.

After robbing the coach, Clavers returned to the Ragged Cot to find his wife and child dead at the foot of the staircase. In desperation, he put their bodies in a trunk. The local constables, following his tracks in the snow, approached the house and, after getting no answer to their knocks on the door, forced a widow. A shot rang out and the figure of Clavers appeared at the door.

As one of the constables prepared to fire, a terrified scream was heard as Clavers saw the ghostly figure of his wife and child silently crossing the floor and disappearing up the stairs. Seriously freaked and unable to provide any resistance, Clavers was apprehended and tied to a chair. The constables began to search the premises. As they entered the bar parlour, they were confronted by the apparition, seated on the old oak trunk. Fearfully they retreated out of the house. As daylight broke, the body of Clavers’ wife and child were found in the trunk, and he was led away a doomed man. He was tried at Gloucester Assize Court, found guilty and sentenced to death by hanging.

Minchinhampton Commons near the Ragged Cot Inn. Click to view large or order prints

One can’t consider this a review, as it’s been on a decade since I’ve stayed there, and I believe it is now under new management. From what I understand the food is still quite good, the bar well stocked and you can never guarantee the appearance of ghosts.

We were traveling on a budget, so the more well known areas of the Cotswolds were out of our reach. I pored over guide books, which were the twentieth century version of the internet when I stumbled across the Ragged Cot. A 17th century coaching inn along the route we’d planned to take anyway, with its own ghosts, landlords with a penchant for Vermeer prints and an ungodly selection of hand-pulled ales and single malt scotches, I booked the room at once.

Some people can’t get a taste for hand-pulled ales, which is fine, as that leaves more for me. It’s the warm, flat English beer you always hear speak of. In reality it’s neither warm, as it’s chilled in the basement, and pulled up to the tap, hence the name, nor is it flat, as there is a modicum of foam at the top of the glass. What it is, is tasty once you develop the taste, and quite often it packs a serious punch.

The Ragged Cot is literally across the road from Minchinhampton Commons, 600 acres of scenic walks. It’s a short hike into Minchinhampton itself, which is a lovely little market town, all cotswold stone and the place absolutely reeks with atmosphere. We were escorted into town by random sheep, along lanes hundreds of years old. The commons overlooks what is called The Golden Valley, and despite some evidence of modern building techniques in the distance, it was easy enough to overlook these and feel yourself falling backwards in time.

The Cotswold Village of Minchinhampton. Click to view large or order prints

I can’t say that our stay was disturbed by any ghostly apparitions. The only spirits in evidence were the kind found in bottles, and those were a plenty. I had made it my goal to work my way through all the ales and a good portion of the scotches, and I found ready help at the bar in the guise of a Feng Shui consultant on holidays from Greenwich. The food there was wonderful, traditional English fare, which to some may be a bit on the plain side. But for those raised on meat, potatoes and vegetables, it was filling, tasty and unpretentious.

After dinner each night, and usually for a spell in the afternoon I’d join my Feng Shui consultant at the bar, and we’d drink and chat, till our chats were punctuated with slurs. His concept of a holiday was to get out of the office and into atmospheric accommodations with a well-stocked bar. In addition, he had recently bowled with Ian Anderson of Jethro Tull’s father-in-law. A kindred soul.

Our final night there was a Sunday, and a gang from a neighboring pub was meeting a gang of locals at the pub for a brawl. It seems that they get together on Sunday nights for traveling matches of trivial pursuit. On this particular Sunday the Ragged Cot was two men down, and my ex-father-in-law and myself were recruited into the ranks. Why they didn’t recruit our respective wives is beyond me, as if nothing else it would have thrown the opponents off-guard. Perhaps there are rules about such things.

Now neither of us are slouches at this particular game, both being full of worthless knowledge. So perhaps we were a bit more confident than we should have been, for it turns out it was the British version of the game. And at that, particularly questions involving current events, we were as worthless as testicles on the Pope.

Despite the current nature of the game, it did feel in a sense timeless to join in pub games in a pub which has been more or less in continuous operation for over three hundred years, in the dark of the night in the English countryside. Even though we were a drain on the team, they managed to stay close up to the final round, when providence struck. The final two questions, inexplicably involved American television, and after round after round of sitting there looking stupid, we managed the two winning questions. Our reward was our bar tab paid for the night, and a huge basket of chips.

After the pub closed for the night, we sat up late with the landlords, who were a young, very liberal couple retired from politics in London to chase their dream of owning a bed and breakfast in the country. I’m a liberal myself, so far to the left that I almost meet the right on occasion. My father-in-law is so far to the right that he almost meets the left. So as long as we argue the extremes we get along. It’s when we argue points to the center that the problems start. At times our hosts seem to turn for help to our wives to calm down the two drunken yanks, but they found no quarter there either.

Which of course is no problem at all for those who love a good argument, as we all did, so we sat drinking from the single malts till the wee hours of the morning, exploring the difference in thought between the English and the Americans. We argued gun control, the death penalty and of course the role of the monarchy, which included the fact that a certain, to remain nameless princess was barred from the Ragged Cot for unruly behavior. (It seems she was fond of riding her horse to the inn, and finds herself unable mount her horse, let alone to ride home, leaving a stranded horse, overturned tables and chairs and a truly staggering unpaid bar tab). Heated words were exchanged, we laughed till we cried and in the end we found common ground in the fact that we were all human, and as strangers opening up to each other for the night, infinitely interesting to each other.

Cut to the next morning, hangovers on a truly epic scale and trying to stare down a full English breakfast of sausage, bacon, eggs and blood pudding. More sunlight than I’ve ever seen in one room, illuminating the Vermeer prints which already shone with their own internal light. That’s my most vivid memory of a weekend at the Ragged Cot in, where spirits still flow in the night.

The Cotswold Village of Minchinhampton and the Golden Valley. Click to view large or order prints

Click the photo to view large

Attic of the Kirby House. Click to view large or order prints

Any town or village has its haunted house. Old Bethpage Village Restoration has its share, and like most villages, most are urban legends which sprang up over the years. Nearly all the buildings in the village were once located elsewhere, and some, like the Noon Inn, brought their legends with them.

And of course the restoration village has plenty of ghost stories of its own, dating from the years the buildings have existing in their current location.

A family spending the night in Lewis Ritch’s 19th century farmhouse reported hearing heavy boots walking about the porch during the night, which they presumed to be the former master of the house, who died in 1835 coming back to his home, which he once shared on Middle Island with his wife Charity and their six children.

Click to view large - the Conklin House

The Conklin House. Click to view large or order prints

In the Conklin house, a fisherman’s cottage which once stood in Village of the Branch and now lives again at Old Bethpage, a woman has been reportedly seen upstairs in period dress, and who was decidedly not a 20th century interpreter. Another interpreter who has worked at the village for over 20 years refuses to set foot in the house. Still another I spoke to talked of being alone in the house reading, when over the top of his book saw a dark shape rushing towards him, only to look up and see nothing there. On another occasion he heard a loud bang, as though a shelf had fallen in the other room, only to find nothing amiss.

The Conklin house once set next to the inn owned by Thomas Hallock, and is one of the newer structures on the site. Walt Whitman is rumored to be one of the earliest tenants, and the house is typical of an English derivative style, with Greek Revival touches. Joseph H. Conklin, married to Thankful Hallock, Thomas’ niece bought the place in 1853. According to Long Island Oddities, the place is reputed to also be haunted by a small boy, afflicted by disability or deformity, who showed up in a census for one year and never again, and was supposed to have been shut away in the house.

Hewlett House Funeral at Old Bethpage Village Restoration

Hewlett House Funeral at Old Bethpage Village Restoration. Click to view large or order prints

The Hewlett House, now restored to 1840, was built during the 1890s in Woodbury, an example of Federal Period architecture. The house displays a gambrel roof, a milk room and large, beehive oven with an inscription of 1796. It also appears to be haunted.

The House was inhabited by the Hewlett Family, including a descendent of the original owners, Lewis Hewlett, who presumably carved his initials into the ceiling above the fireplace. What makes this unusual, is that for some time no one noticed the carving. Then one afternoon, a worker was leaning over the fireplace when she felt a hand on her shoulder. Upon turning around, she found nobody there. This was the first day that the initials were noticed.

There is a tapestry on one of the walls of the house, done by a child learning to embroider, which refers to being buried, rotting bones and their desire not to be forgotten. And appropriately enough, in the parlor one finds a coffin, lain out for a wake, which presents a unique opportunity to see how a family remembered and sent off their dead in the 19th century.

Another visitor reported feeling pulled towards the staircase every time she entered the Hewlett House, which she described as a strong desire to go upstairs, which she finally did, only to report seeing a noose hanging from the top of the stairwell. Another woman felt as if she was being pushed down the stairs, and reportedly the two women decided to hold a seance, at which they contacted Lewis Hewlett who stated that it was he who was hanging from the stairwell.

Security guards tell of one of their own, who heard the voices of men in the basement, and thinking they were intruders made for the door. Unfortunately, the door to the place locks from the outside, and the door had closed and the hapless man found himself locked in. So frightened was he that he went out the window rather than wait for help to arrive.

The Noon Inn at Old Bethpage Village Restoration

The Noon Inn at Old Bethpage Village Restoration. Click to view large or order prints

The Noon Inn is one of the most popular stops, if Old Bethpage photos found on the internet are any indication. It was originally purpose built in East Meadow to be an inn and bar, before being closed down, when it was used for storage. Kids would break into the place and vagrants reportedly used to sleep in there. One such vagrant, according to popular legend which has been discredited by a fellow whose family formerly owned the home, was surprised by three teenagers whom he stabbed to death. The bodies lay undetected for some time, until a security guard found them, and a short time later, according to the story, the vagrant was arrested with some of their possessions, and confessed to the crime. As such with all urban legends, the place took on the reputation of being haunted, and the same night that the vagrant was supposed to have hung himself in his cell, a girl walking down the street outside the Noon Inn saw the three boys’ faces in the windows. It’s stories like this which as I said, appears to have no basis in fact, that add to the richness of a place. And Old Bethpage is fortunate to have brought along the legends, along with the structures which now line the streets of Old Bethpage Village.

The Williams House, restored to 1860, was once home to a certain Henry Williams, farmer and carpenter, and stood in New Hyde Park. A seamstress named Esther once lived there as well. Reports of poltergeist activity abounds in the Williams House. Trunks have been heard moving about upstairs, and upon investigation are found with their contents strewn about.

One hot afternoon, two interpreters were working the Williams House, and opened a window to let in the breeze, which is often quite nice there. They went back to their sewing, which is their charge at Old Bethpage, when they heard the window slam shut. One opened it again, this time propping it up with a stick, which is typically used to lock the windows, by jamming it into the top of the window. They left the room, only to hear the window shut again. Coming back into the room, they found the stick lain on the sewing table. A third time they opened the window, once again propped it open and once again left the room. The window slammed closed again, and this time the stick was found far from the house in the garden, by a child visiting the park. In the Williams house, the workers are on a first name basis with Esther.

Esther's Dress in the Williams House at Old Bethpage Village Restoration

Esther’s Dress in the Williams House at Old Bethpage Village Restoration. Click to view large or order prints

On another occasion, two workers were cleaning up in the house. One picked up a small teacup, used originally as part of a toy tea set, when she head a small voice telling her to “Put my teacup down.”

Thanksgiving is a wonderful time at the Williams House. Turkey is roasted in the hearth, and the sights, sounds and smells of a Thanksgiving feast brings the house to life. During the preparations one year, the door to the place kept closing. Even on a November Day on Long Island, so much cooking and activity can quickly overheat a house, so one of the women there propped the door open with a fireplace tool, only to be hit in the head by the same tool when she went back to her work.

The spirits it seems at Old Bethpage Village Restoration don’t mind visitors, but they are very fussy about their homes, even to this day.

(Thanks to Long Island Oddities and Newsday for some information in this article, which pointed out which questions to ask of the workers at OBVR, and a special thanks to them as well)

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